Iconography
- Restoration, of The Agony in the Garden with the Donor, Louis d’Orléans (1405-1408)
- Restoration, of The Wine of Saint Martin’s Day by Pieter Bruegel the Elder
- The Restoration of the two Equestrian Portraits by Velázquez
- Restoration of Ariadna
- The Restoration of Nero and Seneca by Eduardo Barrón
- The Restoration of Adam and Eve, by Dürer
- The Restoration of Philip II on Horseback by Rubens
- The Restoration of The Adoration of the Shepherds by Pietro da Cortona
- The Restoration of The Soult Immaculate Conception by Bartolomé Esteban Murillo
- The Restoration of The Purification of the Virgin in the Temple by Pedro de Campaña
- The Restoration of the 2nd and 3rd of May
This group depicts Seneca instructing Nero, to whom he was tutor. Barrón focuses on a dramatic expression of their different characters, hinting at the unjust fate of the Cordoban philosopher Seneca, who would be accused of treason and obliged by the Emperor to commit suicide. That event is depicted in other works in the Museum such as The Death of Seneca by the studio of Rubens, and the painting entitled Seneca in the Bath, having opened his Veins, while his grief-stricken Friends swear their Hatred of Nero who decreed their Master’s Death by Manuel Domínguez Sánchez.
















