- Home
- Research
- Restoration
- The Restoration of Nero and Seneca by Eduardo Barrón
- Restoration
- Creating a replica of the work
Creating a replica of the work
- Restoration, of The Agony in the Garden with the Donor, Louis d’Orléans (1405-1408)
- Restoration, of The Wine of Saint Martin’s Day by Pieter Bruegel the Elder
- The Restoration of the two Equestrian Portraits by Velázquez
- Restoration of Ariadna
- The Restoration of Nero and Seneca by Eduardo Barrón
- The Restoration of Adam and Eve, by Dürer
- The Restoration of Philip II on Horseback by Rubens
- The Restoration of The Adoration of the Shepherds by Pietro da Cortona
- The Restoration of The Soult Immaculate Conception by Bartolomé Esteban Murillo
- The Restoration of The Purification of the Virgin in the Temple by Pedro de Campaña
- The Restoration of the 2nd and 3rd of May
The sculpture had previously been on deposit with the Town Hall of Cordoba and the City Council wished to possess a version, so a replica was made of it. Given that the original was made of polychrome plaster, the traditional reproductive method involving direct moulds was completely impossible due to the high risk of loss to the colours and surface textures.
A replica was thus made using digital scanning, in which an exact resin model is created through a 3-dimensional image from which a mould is made. The resulting replica cast from the mould is now to be seen on the Glorieta del Pretorio in Cordoba.
















