On-line gallery
- Reference number
- P00755
- Author
- Goya y Lucientes, Francisco de (Spanish)
- Title
- Pilgrimage to the Well of San Isidro (The Inquisition)
- Chronology
- 1821-1823
- Technique
- Support
- Measures
- 127 cm x 266 cm
- School
- Theme
- Shown
- Yes
- Entrance
- DONACION
- Procedence
- Donation, Baron Émile d'Erlanger, 1881
The mural paintings that decorated
the house known as “la Quinta del
Sordo,” where Goya lived have come
to be known as the Black Paintings,
because he used so many dark
pigments and blacks in them, and
also because of their somber
subject matter. The private and
intimate character of that house
allowed the artist to express
himself with great liberty. He
painted directly on the walls in
what must have been mixed
technique, as chemical analysis
reveals the use of oils in these
works.
The Baron Émile d'Erlanger acquired
“la Quinta” in 1873 and had the
paintings transferred to canvas.
The works suffered enormously in
the process, losing a large amount
of paint. Finally, the Baron
donated these paintings to the
State, and they were sent to the
Prado Museum, where they have been
on view since 1889.
A group of women appear in front of
a rocky landscape. Their clothing
recalls that of old matchmakers
from other works by Goya. In the
foreground are various old women of
the same sort, and a gentleman with
a mustache and goatee, wearing a
sword and holding a roll of paper.
Popular superstition and ignorance
are expressed in this pilgrimage in
which, for example, the people are
dressed in out-of-date fashions
from the seventeenth century.
Nineteenth-century descriptions of
this work considered it the
Inquisition, or a pilgrimage to
draw miraculous water from the Well
of San Isidro.
Despite the multiple explanations
offered by art historians, these
works continue to be mysterious and
enigmatic, yet they present many of
the esthetic problems and moral
considerations appearing in Goya's
works.
The mural paintings from “la Quinta
del Sordo” (the Black Paintings),
have been determinant in the
modern-day consideration of this
painter from Aragon. The German
Expressionists and the Surrealist
movement, as well as representative
of other contemporary artistic
movements, including literature and
even cinema, have seen the origins
of modern art in this series of
compositions by an aged Goya,
isolated in his own world and
creating with absolute liberty.
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