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Work commented by Carlos Reyero, Professor of History of Art Luis Huidobro Laplana, "My Godmother", c. 1912 Wearing a brownish-green shawl, the sitter looks at the viewer with a serious e [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University. Pedro Sáenz Sáenz "Chrysalid”, 1897 Under the influence of hyg [+]
Work commented by Amaya Alzaga, Art Historian, Universidad Nacional de Educación a Distancia (UNED). The pupil of the painter Carlos Múgica, the Infanta Paz, the sister of Alfonso XII, [+]
Work commented by Carlos Reyero, Professor of History of Art. Salvador Viniegra y Lasso de la Vega The First Kiss, 1891 Viniegra’s canvas presents the image of Eve as the bringer of original si [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University Ignacio Pinazo Camarlench "Female Nude", 1895 In the nineteenth century, art [+]
Works commented by Asunción Cardona, Art Historian, Director of Museo del Romanticismo. Valeriano Domínguez Bécquer (1834-1870) "The Carlist Painter and his Family", 18 [+]
Work commented by Amaya Alzaga, Art Historian, Universidad Nacional de Educación a Distancia (UNED) Isabella II, Queen of Spain (1830-1904) "The Holy Family with a Little Bird" (copy [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University Antonio María Fabrés y Costa "The Slave Girl”, c. 1886 It repr [+]
Joaquina Serrano Painting in Espalter’s Studio is one of the few images to record feminine artistic practices inside a studio. Joaquina is immortalised during a posing session for A Woman o [+]
Work commented by Amaya Alzaga, Art Historian, Universidad Nacional de Educación a Distancia (UNED). Raimundo de Madrazo y Garreta (1841-1920) "María Hahn, the Painter’s Wife [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University José Jiménez Aranda "A Slave for Sale”, c. 1897 A young, complet [+]
Work commented by Amaya Alzaga, Art Historian, Universidad Nacional de Educación a Distancia (UNED). The daughter of the Neoclassical portraitist and history painter Jean-Baptiste Guéri [+]
Work commented by Elena Cenalmor, Art Historian, Museo Nacional del Prado José Gutiérrez de la Vega y Bocanegra (1791-1865) "Josefa López, Wife of the Artist", 1837 [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University. Antonio Fillol Granell (1870-1930) "The Rebel", c. 1914 Amidst insults and ev [+]
Work commented by Elena Cenalmor, Art Historian, Museo Nacional del Prado Unknown authorship “Quilt and hangings for a state bed”, c. 1860-90. Embroidery was the most frequent field [+]
Work commented by Aída E. Bueno Sarduy, Anthropologist, NYU, Middlebury College and Boston University. Carlos Verger Fioretti (1872-1929) "Phalaena", 1920. The term phalaena, a moth [+]
Is it possible that a XIXth Century work of art was considered “uncomfortable” when it was painted? Can it be now? We ask different experts in art history and anthropology about the me [+]
Debate and conclusions with Leticia Ruiz, Head of the Department of Spanish Renaissance Painting Museo Nacional del Prado, Babette Bohn, Texas Christian University, Sheila Barker, The Medici Archive P [+]