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Vos, Paul de
Ca. 1596 - 1678
Vos, Paul de
Ca. 1596 - 1678

A Flemish painter and draughtsman, brother of Cornelis and Jan de Vos. Like his brothers, he studied with David Remeeus and achieved the rank of master around 1620. His first paintings were identical in subject matter and motifs to those of Frans Snyders, with whom he worked during his training. Nevertheless, throughout the course of his career, Paul de Vos specialised in hunting scenes, for which

Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640
Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640

No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints, tapestries, architecture, sculpture and decorative objects. His abundant work is strikingly versatile in its subject matter, including paintings on mythological, religious and historical subjects as

Jordaens, Jacques
Antwerp, 1593 - Antwerp, 1678
Jordaens, Jacques
Antwerp, 1593 - Antwerp, 1678

A considerably long-lived and prolific artist, Jordaens is the third of the Flemish great masters of the 17th century. He trained in his city of birth with Adan van Noort. Unlike Rubens and Van Dyck he hardly set foot outside his home country and preferred the comfortable and quiet life of local places and environments. He collaborated with Rubens and was influenced by him, although he also preser

Dyck, Anthony van
Antwerp (Belgium), 1599 - London, 1641
Dyck, Anthony van
Antwerp (Belgium), 1599 - London, 1641

The most important early-17th-century Flemish painter after Rubens, Van Dyck was considered Rubens’ equal by the 18th century. Born in Antwerp, the Spanish Netherlands’ main mercantile and cultural center, he was a disciple of Hendrik van Balen. By 1615-1616, he was already an independent artist and by 1618 he was a master painter at the Guild of Saint Luke. During those early years of his career,

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