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Titian (Tiziano Vecellio)
Pieve di Cadore, Belluno, Veneto (Italy), Ca. 1490 - Venice (Italy), 1576
Titian (Tiziano Vecellio)
Pieve di Cadore, Belluno, Veneto (Italy), Ca. 1490 - Venice (Italy), 1576

Born to an important family from Cadore, Titan arrived in Venice around 1500-1502. There, after first working in Giovanni Bellini’s workshop, he entered that of his older brother Gentile Bellini. Around 1507, he began working with Giorgone on the decoration of the façades of the Fondaco dei Tedeschi, the German merchants’ warehouse in Venice. Today, only a small part of the original frescoes remai

Tintoretto, Jacopo Robusti
Venice (Italy), 1518/19 - Venice, 1594
Tintoretto, Jacopo Robusti
Venice (Italy), 1518/19 - Venice, 1594

In his biography of Tintoretto Carlo Ridolfi recounts the painter’s fleeting stay at Titian’s studio. But despite the unquestionable authority of this narrative, Tintoretto’s early works bear little resemblance to those of that artist from Pieve di Cadore. His paintings from the late 1530s—The Holy Family with Saint Jerome, the portrait of attorney Girolamo Marcello (private collection, Lucerne),

Veronese, Paolo (Paolo Cagliari)
Verona, 1528 - Venice, 1588
Veronese, Paolo (Paolo Cagliari)
Verona, 1528 - Venice, 1588

Veronese was trained in his native Verona by a local painter, Antonio Badile (1518-1560), and then by Giovanni Caroto (1488-1563/66). The influence of both these masters appears in his earliest independent works, which were executed around 1546 for local patrons and institutions. He received his first commissions outside Verona in the early 1550s, when he worked for a number of wealthy Venetian fa

Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543
Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543

Polidoro left his native Lombardy for Rome around 1515, where he entered the workshop of Raphael (1483-1520). In 1517-1518 he worked with Giulio Romano (c. 1499-1546) and Perino del Vaga (1501-1547) on the frescoes in the Vatican Logge; he developed a particularly close friendship with the latter artist, who probably prepared the plans for Polidoro's frescoes of the Passion (early 1520s) in the Ca

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