The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Authors

RDF
Refine results
4 results
Samacchini, Orazio
Bologna, 1532 - Bologna, 1577
Samacchini, Orazio
Bologna, 1532 - Bologna, 1577

Samacchini trained under Pellegrino Tibaldi (1527-1596), but his early work was influenced primarily by such artists as Raphael (1483-1520) and Prospero Fontana (1512-1597), as is detectable in the Marriage of the Virgin (c. 1555-1560) for S. Giuseppe in Bologna. In 1563 he worked in the Vatican, participating in the decoration of the Sala Regia and the Belvedere. This experience of Rome exposed S

Heda, Willem Claesz
Haarlem, 1594 - Haarlem, 1680
Heda, Willem Claesz
Haarlem, 1594 - Haarlem, 1680

He came from a wealthy family. Nothing is known about his artistic training. A document from 1620 already cites him as a painter in Haarlem. From 1631 onwards, he is documented in the book of the Haarlem Guild of Saint Luke, of which he was a council member on repeated occasions between 1637 and 1652; deken (dean) in 1641 and 1642 and hoofdman (captain) in 1637, 1643 and 1651. Since 1637, he admit

Claesz., Pieter
Berchem (Belgium), 1596/1597 - Haarlem, 1660
Claesz., Pieter
Berchem (Belgium), 1596/1597 - Haarlem, 1660

Little is known about his life with certainty. From a document dated 29 September 1640, in which the painter states that he was 41 years old, it can be presumed that he was born between 1596 and 1597. His marriage date to Geertje Hendricksdr in Haarlem is documented as 21 May 1617. The couple had two children, Riekje and Claes, the latter of whom became a well-known landscape painter with the name

Carracci, Annibale
Bologna, 1560 - Rome, 1609
Carracci, Annibale
Bologna, 1560 - Rome, 1609

Annibale was probably trained by his elder cousin, Ludovico Carracci (1555-1619), as well as by Bartolomeo Passarotti (1529-1592). In 1582, he and other family members established an academy for the study of art, later known as the Accademia degli Incamminati, which was fundamental to the subsequent development of Bolognese painting in the seventeenth century. Among his earliest works are a number

Up