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Tristán, Luis
Toledo?, 1580/85 - Toledo (Spain), 1624
Tristán, Luis
Toledo?, 1580/85 - Toledo (Spain), 1624

One of the most outstanding representatives of painting from Toledo during the early 17th-century, an especially fertile period for that city. The earliest mention of Tristán links him to Toledo's most important painter, calling him an apprentice to El Greco in 1603. He was still there in 1606, but that was the year that he made his first trip to Italy. According to Jusepe Martínez, he was accompa

Fernández, Luis
Madrid, 1594 - Madrid (Spain), Post. 1657
Fernández, Luis
Madrid, 1594 - Madrid (Spain), Post. 1657

There is very little mention of this Spanish painter whom Palomino considered a native of Madrid and disciple of Eugenio Cajés. His painting was very dependent on his teacher's approach, with a loose and richly colored technique. The side altarpiece at the church in Cebreros (Avila) was signed by him in 1624 but it is of much lesser quality than other known works by his hand, which suggests the ex

Fernández, Gregorio
Sarriá, Lugo (Spain), 1576 - Valladolid (Spain), 1636
Fernández, Gregorio
Sarriá, Lugo (Spain), 1576 - Valladolid (Spain), 1636

The artistic tradition associated with Valladolid -which had reached such a high level in the 16th century- and the fact that it was the Spanish monarchy's favorite city between 1601 and 1606, was responsible for a considerable number of 17th-century artists who prolonged the splendor attained earlier by Alonso Berruguete, Juan de Juni and Pompeo Leoni. This indisputable reality was reinforced by

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