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Goya y Lucientes, Francisco de
Fuendetodos, Zaragoza (Spain), 30.3.1746 - Bordeaux (France), 16.4.1828
Goya y Lucientes, Francisco de
Fuendetodos, Zaragoza (Spain), 30.3.1746 - Bordeaux (France), 16.4.1828

Goya was born unexpectedly in his mother’s birthplace, Fuendetodos. His parents, Braulio José Goya, a gilder; and Gracia Lucientes, from a family of wealthy farmers, actually lived in Zaragoza, where they had married in 1736. Francisco was the fourth of six siblings: Rita (1737), Tomás (1739), who was also a gilder and is sometimes mentioned as a painter; Jacinta (1743), Mariano (1750), who died i

González Velázquez, Antonio
Madrid (Spain), 1723 - Madrid (Spain), 1794
González Velázquez, Antonio
Madrid (Spain), 1723 - Madrid (Spain), 1794

He was a Spanish painter and brother of fellow painters Luis and Alejandro. He studied drawing at the Preparatory Board of the San Fernando Academy. Afterwards, in 1746, he was awarded a scholarship to complete his training in Rome, in the workshop of Corrado Giaquinto. In 1748, this master and his assistant undertook the important project of decorating the church of la Santa Trinidad de los Españ

Madrazo y Garreta, Raimundo de
Rome (Italy), 24.7.1841 - Versailles (France), 15.9.1920
Madrazo y Garreta, Raimundo de
Rome (Italy), 24.7.1841 - Versailles (France), 15.9.1920

After preliminary studies with his grandfather and father, portrait painters José and Federico de Madrazo, Raimundo attended the Royal Academy of Fine Arts of San Fernando, where his fellow students included Martín Rico, Rosales and Palmaroli, among others. He soon left for Paris, which became his primary residence from then on. There his work received the early but decisive influence of French ac

Carducho, Bartolomé
Florence (Italy), Ca. 1560 - Madrid (Spain), 1608
Carducho, Bartolomé
Florence (Italy), Ca. 1560 - Madrid (Spain), 1608

Of this Italian painter, sculptor and architect, Ceán Bermúdez observed: "Few painters from Italy have been as useful for the fine arts in Spain as Carducho." And indeed, he is a key figure for understanding the development of painting at the Spanish court at the beginning of the 17th century. This is due not so much to his work as to the school of artists that trained under him, beginning with h

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