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Bassano, Jacopo (Jacopo dal Ponte)
Bassano del Grappa, Veneto (Italy), 1510/15 - Bassano del Grappa, Veneto (Italy), 1592
Bassano, Jacopo (Jacopo dal Ponte)
Bassano del Grappa, Veneto (Italy), 1510/15 - Bassano del Grappa, Veneto (Italy), 1592

A painter's son, Jacopo was the head of a large family of artists who went down in history as "the Bassani" after their place of birth and close relationship, the active collaboration between father and sons -Francesco, Gerolamo, Leandro and Gian Battista- the great studio they established and ran, the vulgarisation of Jacopo's models and their very broad dissemination throughout Europe until well

Orrente, Pedro de
Murcia (Spain), 1580 - Valencia (Spain), 1645
Orrente, Pedro de
Murcia (Spain), 1580 - Valencia (Spain), 1645

Known as "the Spanish Bassano," Orrente was highly successful in his time and was admired as a follower of the formulas established by that famous family of Venetian artists, especially in his series of paintings on Old-Testament subjects set in lush landscapes. He lived in various Spanish cities, moving from his native Murcia to Toledo at a young age (he was already there by 1600). The Bassano fa

Maganza, Alessandro
Vicenza, 1556 - Vicenza, Después de 1630
Maganza, Alessandro
Vicenza, 1556 - Vicenza, Después de 1630

Alessandro Maganza, was the best-known member of a family of painters from Vicenza, in whose workshop he trained before moving to that of Giovanni Antonio Fasolo (1530-1572). Thereafter he was in Venice (c. 1572-1576), and his subsequent work shows the various influences of the leading artists of that city: Tintoretto (1519-1594), Veronese (1528-1588), and Palma Il Giovane (c. 1548-1628) as well a

Carvajal, Luis de
Toledo (Spain), 1556 - Madrid (Spain), 1607
Carvajal, Luis de
Toledo (Spain), 1556 - Madrid (Spain), 1607

Born in Toledo in 1556, he was the half-brother of sculptor Juan Bautista Monegro and a disciple of painter Juan Villoldo, who had trained with Alonso Berruguete. He completed his training in Italy, where his presence at the Academy of San Lucas in Rome was documented in 1577. He returned to Toledo that same year and began receiving important commissions. In 1578 he painted a likeness of Archbisho

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