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Joli, Antonio
Modena (Italy), 1700 - Naples (Italy), 1777
Joli, Antonio
Modena (Italy), 1700 - Naples (Italy), 1777

According to historian Girolamo Tiraboschi, Antonio Joli was a disciple of perspective painter Raffaelo Menia Rinaldi in Modena and later, in Rome, of Giovanni Paolo Panini, a painter of idealized landscapes with classical ruins whose influence on Joli's style was decisive. In 1732, Joli began his career painting theater sets in Venice, one of the most important centers for Italian opera at that t

Gentileschi, Artemisa
Rome, 1593 - Naples, 1652/3
Gentileschi, Artemisa
Rome, 1593 - Naples, 1652/3

This Italian painter learned art from her father, the artist Orazio Gentileschi, whose influence is particularly evident in her early works. Following a period in Florence (1614-1620), se settled in Rome, where she lived between 1620 and 1627, with brief visits to Genoa and Venice. By 1630 she was living in Naples, with her own studio and continuous contact with Stanzione. There, she develop her m

Belvedere, Andrea
Naples, 1652 - Naples, 1732
Belvedere, Andrea
Naples, 1652 - Naples, 1732

Belvedere was the last and most appreciated representative of the Neapolitan still-life tradition, which appeared almost to die out after he passed away in 1732. He began to work in his city of birth in 1674. His style seems to have been shaped by the circle of Paolo Porpora and inspired by the early works of Giuseppe Recco, to judge by the earliest surviving paintings from this period (Naples, Mu

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