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Leoni, Pompeo
Milan, hacia 1533 - Madrid, 1608
Leoni, Pompeo
Milan, hacia 1533 - Madrid, 1608

Working with his father, Leone Leoni, on all his pieces, Italian sculptor Pompeo Leoni was able to create a workshop in Madrid and to undertake projects beside the El Escorial altarpiece that obliged him to make repeated and lengthy visits to Milan. On September 28, 1556 he arrived in Spain with a series of imperial portraits and was assigned a salary of 30 ducats a month by the Queen Regent, Joan

Leoni, Leone
Arezzo, Tuscany, 1509 - Milan, 1590
Leoni, Leone
Arezzo, Tuscany, 1509 - Milan, 1590

The personality of Italian sculptor Leone Leoni is as thrilling as that of his contemporaries, Titian, Michelangelo and Benvenuto Cellini. In 1533, he was a twenty-four-year-old goldsmith living with his wife, Diamante, in Venice as a protégé of poet Pietro Aretino. That period was marked for him by the birth of his son, Pompeo, whom he trained in his studio and introduced to northern Italian circ

Fernández, Gregorio
Sarriá, Lugo (Spain), 1576 - Valladolid (Spain), 1636
Fernández, Gregorio
Sarriá, Lugo (Spain), 1576 - Valladolid (Spain), 1636

The artistic tradition associated with Valladolid -which had reached such a high level in the 16th century- and the fact that it was the Spanish monarchy's favorite city between 1601 and 1606, was responsible for a considerable number of 17th-century artists who prolonged the splendor attained earlier by Alonso Berruguete, Juan de Juni and Pompeo Leoni. This indisputable reality was reinforced by

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