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Claude (Lorrain, byname of Claude Gellée)
Chamagne, Ca. 1600 - Rome, 1682
Claude (Lorrain, byname of Claude Gellée)
Chamagne, Ca. 1600 - Rome, 1682

The artist trained in his place of birth (initially as a patissier, it seems). Around 1617 he went to Rome and shortly afterwards left for Naples, where he studied under Goffredo Wals for two years or so. He returned to the city of the Tiber and in the Roman artistic environment met the painter Agostino Tassi, from whom he learned the northern European tradition of classical lyrical landscape art

Both, Jan
Utrecht, 1618/1622 - Utrecht, 1652
Both, Jan
Utrecht, 1618/1622 - Utrecht, 1652

According to Von Sandrart, he trained in Gerard van Honthorst’s workshop between 1634 and 1637. Burke (1976) suggests that he may have later started out as an Italianate landscape painter in the workshop of Charles Cornelisz. de Hooch (1600/1606–1638). The first documented record is that of his 1638 admission to the Academy of Saint Luke in Rome, where he must have arrived around 1635, if not earl

Agüero, Benito Manuel de
Madrid (Spain), Ca. 1626 - Madrid (Spain), Ca. 1668
Agüero, Benito Manuel de
Madrid (Spain), Ca. 1626 - Madrid (Spain), Ca. 1668

A disciple of Alonso Cano and close to Juan Bautista Martínez del Mazo, this highly prolific artist specialized in landscapes with small mythological scenes that reflect the stylistic influence of French painter Claude Lorraine and Neapolitan painter Salvator Rosa. He was most actively involved in the decoration of the Buen Retiro and Aranjuez palaces, and the 1700 inventory of the latter lists th

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