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Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543
Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543

Polidoro left his native Lombardy for Rome around 1515, where he entered the workshop of Raphael (1483-1520). In 1517-1518 he worked with Giulio Romano (c. 1499-1546) and Perino del Vaga (1501-1547) on the frescoes in the Vatican Logge; he developed a particularly close friendship with the latter artist, who probably prepared the plans for Polidoro's frescoes of the Passion (early 1520s) in the Ca

Romano, Giulio (Giovanni Francesco Penni)
Rome (Italy), H. 1499 - Mantua (Italy), 01.11.1546
Romano, Giulio (Giovanni Francesco Penni)
Rome (Italy), H. 1499 - Mantua (Italy), 01.11.1546

Giulio Romano (Giulio Pippi) worked with Raphael (1483-1520), first as a pupil and then as an assistant, and was involved in the decoration both of the Vatican Stanze, in particular that of the Stanze dell'Incendio (completed by 1517) and the Logge (completed 1519). Following Raphael's death in 1520, Giulio collaborated with Giovanni Francesco Penni (c. 1496-after 1528) on the decoration of the Sa

Sarto, Andrea del (Andrea d'Agnolo)
Florence, 1486 - Florence, 1530
Sarto, Andrea del (Andrea d'Agnolo)
Florence, 1486 - Florence, 1530

Vasari (1511-1574), who was himself a pupil of Andrea del Sarto (Andrea d'Agnolo) during the mid-1520s, indicated that this painter and draftsman trained under an obscure artist, Gian Barile, before moving to the workshop of Piero di Cosimo (1461/62-c. 1521). He gained independence in 1508 when, with Franciabigio (1484-1525), he established his own workshop. Around this time, del Sarto secured a n

Perino del Vaga
Florence, 1501 - Rome, 1547
Perino del Vaga
Florence, 1501 - Rome, 1547

Pietro Buonaccorsi, called Perino del Vaga was, from age eleven, a pupil of Ridolfo Ghirlandaio (1483-1561); and later he was taken as a youth to Rome by an elusive painter, "il Vaga," whence the former's nomenclature. Here, he attracted the, attention of Raphael (1483-1520) and was employed as an assistant to Giovanni da Udine (1487-1564) on the decoration of the Vatican Logge (completed 1519). H

Patinir, Joachim
Dinant (Belgium), Ca. 1480 - Antwerp, 1524
Patinir, Joachim
Dinant (Belgium), Ca. 1480 - Antwerp, 1524

This artist born on the banks of the Meuse River is considered the first Flemish landscape painter. His vast, highly personal landscapes are characterized by large expanses of terrain with high horizons and fantastic outcroppings of pointed rock that combine real and symbolic. His works’ nominal subjects are mere pretexts for the development of landscapes that are the true protagonists. He is thou

Calvaert, Denys
Antwerp, H.1540 - Bologna, 1619
Calvaert, Denys
Antwerp, H.1540 - Bologna, 1619

Flemish painter and draftsman, he was for long active in Italy. In 1556-1557, he is recorded in Antwerp as the pupil of the landscape painter Kerstiaen van Queboom (1515-1578). He arrived in Bologna in c. 1560, where he was to remain for the remainder of his career, except for a period in Rome in 1572-1575. On his arrival in Bologna, he entered the workshop of Prospero Fontana (1512-1597), leaving

Becerra, Gaspar
Baeza, Ca. 1520 - Madrid, 1570
Becerra, Gaspar
Baeza, Ca. 1520 - Madrid, 1570

The son of a modest local painter, he was trained in Italy under the influence of Michelangelo, whom he met while collaborating with Vasari and Daniele de Volterra on important works. In the fifteen-forties, he took part in the decoration of the Palazzo della Cancelleria and one of the chapels at the church of Trinità dei Monti in Rome. After he returned to Spain in 1557, his career advanced as he

Bagnacavallo
Bagnacavallo, Ravenna, 1484 - Bologna, 1542
Bagnacavallo
Bagnacavallo, Ravenna, 1484 - Bologna, 1542

He was one of the leading exponents of the classicizing tendency in Bolognese painting that evolved in the wake of Raphael's influence in the city during the first half of the sixteenth century. Bagnacavallo was in Bologna by the age of nineteen, where he seems to have entered the workshop of Francesco Francia (c. 1450-1517); the older artist's style is evident in his early Holy Family (Palazzo Du

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