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Vecchi, Giovanni de
Borgo San Sepolcro, 1536/37 - Rome, 1615
Vecchi, Giovanni de
Borgo San Sepolcro, 1536/37 - Rome, 1615

De' Vecchi is almost certainly the same Giovanni dal Borgo who is known to have worked at the Villa d'Este at Tivoli in 1568. It is possible that he had been a student under Raffaello dal Colle (c. 1490-1566) in Rome; it is equally plausible that during the early 1560s he may have worked with Santi di Tito (1536-1602) at the Palazzo Belvedere. However, his earliest documented presence in that city

Vidal, Pedro Antonio
Castellón (Spain), Ca. 1570 -
Vidal, Pedro Antonio
Castellón (Spain), Ca. 1570 -

In 1616 he unsuccessfully requested the post of king's painter. The following year, he worked in Madrid's Alcázar palace, where he received payment for a portrait of Philip III -presumably the one now at the Museo del Prado, in which the monarch wears armor. In 1617 he also worked for the convent of San Blas in Lerma (Burgos). The portrait of Philip III wearing armor reveals his debt to the tradit

Naldini, Giovanni Battista
Fiesole, H. 1537 - Florence, 1591
Naldini, Giovanni Battista
Fiesole, H. 1537 - Florence, 1591

A pupil under Jacopo da Pontormo (1494-1556) until the latter's death; Naldini subsequently moved to Rome around 1560, but soon returned to Florence where he worked principally for the Medici as one of the many artists under the supervision of Vasari (1511-1574). Among his commissions were the decorations for the obsequies of Michelangelo in 1564, and the following year for the marriage of Frances

Momper II, Joost de
Antwerp, Ca. 1564 - Antwerp, 1635
Momper II, Joost de
Antwerp, Ca. 1564 - Antwerp, 1635

After a period of training with his father, Bartholomeus de Momper, he joined the painters’ Guild of Saint Luke of his city around 1581. In 1594, he collaborated with Cornelis Floris on the decorations for the Entry of the Archduke Ernest into Antwerp, and the following year, he produced tapestry cartoons for Albert, Archduke of Austria. Shortly afterwards, he partook in a brief and scarcely docum

Lilio, Andrea
Ancona, Le Marche, Ca. 1570 - Ascoli Piceno, Le Marche, 1635
Lilio, Andrea
Ancona, Le Marche, Ca. 1570 - Ascoli Piceno, Le Marche, 1635

The sources on Lilio's early life are sparse and sometimes contradictory. As a youth he was already active in Rome, since he is recorded in 1583 as beginning work on the four Evangelists beneath the cupola in the Gesu. His early training seems to have been with Cesare Nebbia (c. 1536-1614) and Giovanni Guerra (1544-1618), though he soon after gravitated to the circle of Barocci's followers then wo

Becerra, Gaspar
Baeza, Ca. 1520 - Madrid, 1570
Becerra, Gaspar
Baeza, Ca. 1520 - Madrid, 1570

The son of a modest local painter, he was trained in Italy under the influence of Michelangelo, whom he met while collaborating with Vasari and Daniele de Volterra on important works. In the fifteen-forties, he took part in the decoration of the Palazzo della Cancelleria and one of the chapels at the church of Trinità dei Monti in Rome. After he returned to Spain in 1557, his career advanced as he

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