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Both, Jan
Utrecht, 1618/1622 - Utrecht, 1652
Both, Jan
Utrecht, 1618/1622 - Utrecht, 1652

According to Von Sandrart, he trained in Gerard van Honthorst’s workshop between 1634 and 1637. Burke (1976) suggests that he may have later started out as an Italianate landscape painter in the workshop of Charles Cornelisz. de Hooch (1600/1606–1638). The first documented record is that of his 1638 admission to the Academy of Saint Luke in Rome, where he must have arrived around 1635, if not earl

Willaerts, Adam
London, 1577 - Utrecht, 1664
Willaerts, Adam
London, 1577 - Utrecht, 1664

He arrived in Holland around 1602 and was accepted as a citizen of Utrecht in 1608. His first surviving painting dates from that year, A Fleet from the Dutch East India Company heading East arriving on an Island off the West Coast of Africa. In 1611, he was a founding member of the Utrecht Guild of Saint Luke, where he repeatedly held the position of dean (1620–1622, 1624–1631 and 1636–1637). Desp

Stom, Matthias (also called Stomer)
Amersfoort (Netherlands), H.1600 - Sicily (Italy), Después.1650
Stom, Matthias (also called Stomer)
Amersfoort (Netherlands), H.1600 - Sicily (Italy), Después.1650

Little is known about this Dutch painter who settled in Italy. The earliest extant documentary reference to Stom is the parish family book from 1630 and 1631 in the Roman church of San Nicola in Arcione, where it is recorded that he was 30 years old and lived on the strada dell’Olmo. Therefore, his date of birth can be placed around 1600. Amersfoort has been his assumed place of birth, although d

Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640
Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640

No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints, tapestries, architecture, sculpture and decorative objects. His abundant work is strikingly versatile in its subject matter, including paintings on mythological, religious and historical subjects as

Momper II, Joost de
Antwerp, Ca. 1564 - Antwerp, 1635
Momper II, Joost de
Antwerp, Ca. 1564 - Antwerp, 1635

After a period of training with his father, Bartholomeus de Momper, he joined the painters’ Guild of Saint Luke in his city around 1581. In 1594, he collaborated with Cornelis Floris on the decorations for the Entry of the Archduke Ernest into Antwerp, and the following year, he produced tapestry cartoons for Albert, Archduke of Austria. Shortly afterwards, he undertook a brief and scarcely docume

Metsu, Gabriël
Leiden, 1629 - Amsterdam, 1667
Metsu, Gabriël
Leiden, 1629 - Amsterdam, 1667

He was the son of Jacques Metsu (1587/89–1629), a Flemish painter based in Leiden. In 1648, he played an active role in founding the Guild of Saint Luke in his native city. The records held at the guild’s register reveal that he left Leiden in 1650. He returned in 1654, and in 1657, he moved permanently to Amsterdam, where he remained until his death. In 1658, he married Isabella de Wolff, who was

Claude (Lorrain, byname of Claude Gellée)
Chamagne, Ca. 1600 - Rome, 1682
Claude (Lorrain, byname of Claude Gellée)
Chamagne, Ca. 1600 - Rome, 1682

The artist trained in his place of birth (initially as a patissier, it seems). Around 1617 he went to Rome and shortly afterwards left for Naples, where he studied under Goffredo Wals for two years or so. He returned to the city of the Tiber and in the Roman artistic environment met the painter Agostino Tassi, from whom he learned the northern European tradition of classical lyrical landscape art

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