Italian Sketchbook III. Portrait of a Painter, José del Castillo. Black and red chalk with pen and grey brown ink. 152 sheets of Italian laid paper. Modern parchment binding, 1762, Madrid, Museo Nacional del Prado

1. Prospetto D[ell] alma Cittá di Roma visto dal Monte Gianicolo
Giuseppe Vasi
Etching and engraving. Hand coloured
1765
Madrid, Patrimonio Nacional, Real Biblioteca
2. The Piazza del Popolo in Rome from the gateway of that name
Juan de Villanueva
Brush and wash, grey and black ink
1763
Madrid, Museo de la Real Academia de Bellas Artes de San Fernando
3-4. Itinerario istruttivo di Roma o dia descrizione generale delle opere più insigni di pittura, scultura e architettura e di tutti i monumenti antichi, e moderni di quest’alma citta’, 2 vols., Rome, Luigi Perego Salvioni
Mariano Vasi Romano
1794
Madrid, Museo Nacional del Prado, Library
5. Official announcement of the competition for four study grants in Rome
20 April 1758
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
6. Country House for a Noble
Domingo Antonio Lois Monteagudo
Black chalk with pen and black ink
1758
Madrid, Museo de la Real Academia de Bellas Artes de San Fernando
7. Letter from Tiburcio de Aguirre to Manuel de Roda on the award of grants
24 October 1758
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
8. Instructions for students of architecture
20 September 1758
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
9. Instructions for the director and students of painting and sculpture
28 September 1758
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
10.Distribution of prizes awarded by His Majesty the King to the students of the three noble arts, made by the Real Academia de San Fernando at the general assembly of 28 August 1760
Gabriel Ramírez
1760
Madrid, Museo Nacional del Prado, Biblioteca
11. Account book for the year 1760. Records of monthly payments of grants
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
12. Receipt from José del Castillo for his study grant in Rome. Account book for the year 1762
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
13. Pictorial Arcadia in a dream: allegory or practical Poem on the theory and practice of painting written by Parrasio Tebano, Pastor Arcade [...] divided into two parts, the first on drawing and the second on colour, Madrid, Antonio de Sancha
Francisco Preciado de la Vega
1789
Madrid, Museo Nacional del Prado, Library
14. List of drawings by the grant students at the court of Rome
Early 19th century
Madrid, Archivo-Biblioteca de la Real Academia de Bellas Artes de San Fernando
15. The Rape of the Sabines
Mariano Salvador Maella
Red chalk
1759
Madrid, Museo de la Real Academia de Bellas Artes de San Fernando
16. Life Study
Antonio Martínez Espinosa
Red chalk with touches of white chalk on prepared laid paper
1759
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
17. Nude Study
Domingo Álvarez Enciso
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
18. Nude Study
José del Castillo
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
19. Nude study
Antonio Martínez Espinosa
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
20. Nude Study
Antonio Primo
Red chalk on prepared paper
ca. 1760 - 1766
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
21. Nude Study
Mariano Salvador Maella
Red chalk on paper without preparation
1759
Madrid, Museo Nacional del Prado
22. Life Study
Domingo Álvarez Enciso
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
23. Life Study as Neptune
José del Castillo
Charcoal, black chalk and touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
24. Life Study
Isidro Carnicero
Black chalk on prepared paper
1764
Madrid, Museo de la Real Academia de Bellas Artes de San Fernando
25. Life Study
José del Castillo
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
26. Life Study
Domingo Álvarez Enciso
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
27. Life Study
Mariano Salvador Maella
Red chalk with touches of white chalk on prepared paper
1760
Private collection
28. Life Study
Nicolás Dagneau y Brean
Red chalk with touches of white chalk on prepared paper
1784
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
29. Life Study
Domingo Álvarez Enciso
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
30. Life Study
José del Castillo
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
31. Life Study
Mariano Salvador Maella
Red chalk with touches of white chalk on prepared paper
1760
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
32. Life Study
José del Castillo
Red chalk with touches of white chalk on prepared paper
1759
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
33. Life Study
José del Castillo
Red chalk with touches of white chalk on prepared paper
1763
Madrid, Biblioteca de la Facultad de Bellas Artes (UCM)
34. Italian Sketchbook
Domingo Álvarez Enciso
Black chalk, red chalk and pen and grey-brown ink. 88 pages of laid paper. Original parchment binding
1758 - 1762 and 1773 - 1789
Barcelona, Museu Nacional d’Art de Catalunya
35. Italian Sketchbook
Mariano Salvador Maella
Black and red chalk and pen and grey-brown ink. 91 sheets of Italian laid paper. Original parchment binding
1758 - 1765 and 1765 - 1790
Madrid, Museo Nacional del Prado
36. Book of various ornaments taken from the finest buildings in Rome, both ancient and modern by Don Domingo Antonio Lois Monteagudo during the time of his residence in Rome as a Grant Student of the King in that City, studying Architecture from the year 1759 to 1764, inclusive, 1759-64
Domingo Antonio Lois Monteagudo
Black chalk and pen and grey-brown ink. 104 sheets of Italian laid paper. Original binding in Spanish paste with gilt tooling on the spine
Madrid, Biblioteca Nacional de España
37. Italian Sketchbook I
José del Castillo
Black and red chalk with pen and grey-brown ink. 138 sheets of Italian laid paper. Modern parchment binding
1762
Madrid, Museo Nacional del Prado
38. Italian Sketchbook II
José del Castillo
Black and red chalk with pen and grey brown ink. 125 sheets of Italian laid paper. Modern parchment binding
1762
Madrid, Museo Nacional del Prado
39. Italian Sketchbook III
José del Castillo
Black and red chalk with pen and grey brown ink. 152 sheets of Italian laid paper. Modern parchment binding
1762
Madrid, Museo Nacional del Prado
40. Italian Sketchbook
Antonio Primo
Black and red chalk, pen and grey-brown ink and grey-brown and grey wash. 123 sheets of Italian laid paper. Original parchment binding
ca. 1761 - 1764
Dallas, Meadows Museum, Southern Methodist University
41. Italian Sketchbook
Francisco de Goya
Black and red chalk with pen and grey-brown ink. 83 sheets of Italian laid paper. Original parchment binding
1770 - 1786
Madrid, Museo Nacional del Prado
42. The Pronti Sketchbook
Anonymous French or Italian artist
Black and red chalk with pen and grey-brown ink and grey-brown and grey wash. 65 sheets of Italian laid paper. Original card binding
Mid-18th century
Madrid, Museo Nacional del Prado
43. Vade mecum of Rome I
Edme Bouchardon
Red and black chalk, graphite and pen and grey-brown ink. 78 sheets of Italian laid paper Original parchment binding
1723 - 1732
New York, The Pierpont Morgan Library
44. Sketchbook of drawings produced in Florence and on the journey from Rome to Florence
Joshua Reynolds
Black chalk. 79 sheets of laid paper. Original parchment binding
1752
London, The British Museum
45. The Vallardi Album
Angelica Kauffmann
Black chalk, pen and wash in grey-brown ink. 137 drawings on Dutch laid paper
Modern, blue cloth binding
1758 - 1766
London, Victoria & Albert Museum
46. Taccuino 17
Carlo Spiridione Mariotti
Black and red chalk, pen and grey-brown ink and grey-brown ink wash. 66 sheets of Italian laid paper. Original parchment binding
ca. 1748
Perugia, Consiglio Regionale, Regione Umbria
47. Taccuino 18
Carlo Spiridione Mariotti
Black and red chalk with pen and grey-brown ink and grey-brown and grey ink wash. 59 sheets of Italian laid paper. Original parchment binding
ca. 1748
Perugia, Consiglio Regionale, Regione Umbria
48. Taccuino 22
Carlo Spiridione Mariotti
Black and red chalk with pen and grey-brown ink. 81 sheets of Italian laid paper. Original parchment binding
ca. 1748
Perugia, Consiglio Regionale, Regione Umbria
49. Taccuino 23
Carlo Spiridione Mariotti
Black and red chalk with pen and grey-brown ink wash. 88 sheets of Italian laid paper. Original parchment binding
ca. 1748
Perugia, Consiglio Regionale, Regione Umbria
50. Roman Sketchbook
Anonymous artist
Black and red chalk, pen and wash in red, grey-brown and grey inks. 33 sheets of Italian laid paper. Original parchment binding
Second half of the 18th century/early 19th century
Madrid, Juan Bordes Collection
51. Italian Sketchbook
Frédéric Nepveu
Black chalk, charcoal, white chalk, pen with grey-brown, grey and black wash. 105 pages of French laid paper. Dutch, green paper binding
1805 - 1809
Madrid, Juan Bordes Collection
 
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