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Commented works: The Spinners, or the Fable of Arachne, by Diego Velázquez
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Commented works: The Spinners, or the Fable of Arachne, by Diego Velázquez

Javier Portús, Chief Curator of Spanish Painting until 1700 at the Museo Nacional del Prado and curator of the exhibition Meta-painting. A Journey to the Idea of Art, comments on The Spinners, or the Fable of Arachne, by Diego Velázquez.

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Commented works: Daedalus watching his son Icarus fall" by Francisco de Goya
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Commented works: Daedalus watching his son Icarus fall" by Francisco de Goya

Javier Portús, Chief Curator of Spanish Painting until 1700 at the Museo Nacional del Prado and curator of the exhibition Meta-painting. A Journey to the Idea of Art, comments on Daedalus watching his son Icarus fall by Francisco de Goya.

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"In Conversation with the Garden of Earthly Delights"
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"In Conversation with the Garden of Earthly Delights"

On the occasion of "Bosch The 5th Centenary Exhibition", Reindert Falkenburg comments on his essay "In Conversation with the Garden of Earthly Delights".

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Commented works: Extracting the stone of madness by Bosch
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Commented works: Extracting the stone of madness by Bosch

Pilar Silva, Head of the Department of Spanish Painting (1100-1500) and Flemish Painting and Northern Schools (1400-1600), comments the "Extracting the stone of madness" (1501 - 1505) by Bosch.

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Commented works: Table of the Seven Deadly Sins
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Commented works: Table of the Seven Deadly Sins

Pilar Silva, Head of the Department of Spanish Painting (1100-1500) and Flemish Painting and Northern Schools (1400-1600), comments the "Table of the Seven Deadly Sins" (1505 - 1510) by Bosch.

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Commented works: "The Haywain" by Bosch
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Commented works: "The Haywain" by Bosch

Alejandro Vergara, Chief Curator of Flemish and Northern School Paintings at the Museo Nacional del Prado, comments on the work "The Haywain" by Bosch.

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Commented works: The Garden of Earthly Delights by Bosch
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Commented works: The Garden of Earthly Delights by Bosch

Pilar Silva, Head of the Department of Spanish Painting (1100-1500) and Flemish Painting and Northern Schools (1400-1600), comments the technical study of The Garden of Earthly Delights by Bosch.

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Commented works: The Adoration of the Magi by Bosch
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Commented works: The Adoration of the Magi by Bosch

Pilar Silva, Head of the Department of Spanish Painting (1100-1500) and Flemish Painting and Northern Schools (1400-1600), and Laura Alba, Technical Documentation Department, comment The Adoration of the Magi (h.1494) by Bosch.

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Commented works: Charon crossing the Styx, Joachim Patinir, (1520 - 1524), by Pilar Silva
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Commented works: Charon crossing the Styx, Joachim Patinir, (1520 - 1524), by Pilar Silva

On the occasion of the exhibition Captive Beauty from Fra Angelico to Fortuny, Pilar Silva, Head of the Department of Spanish Painting until 1500 and Flemish and Northern School Paintings, comments on the work Charon crossing the Styx, Joachim Patinir, (1520 - 1524).

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Commented works: Descent from the Cross, by Rogier van der Weyden
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Commented works: Descent from the Cross, by Rogier van der Weyden

On the occasion of the exhibition Rogier van der Weyden (ca.1399-1464), Lorne Campbell, curator of the exhibition comments the work Descent from the Cross, by Rogier van der Weyden.

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Commented works: The Spinners, by Velázquez
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Commented works: The Spinners, by Velázquez

On the occasion of the celebration of the International Woman’s Day and as part of the Miradas de Mujeres Festival, Ángela Molina, artcritic, comments on the painting The Spinners, by Velázquez.

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Commented works: The Metal Serpent, by Anthony van Dyck
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Commented works: The Metal Serpent, by Anthony van Dyck

The restorer María Antonia López Asiaín comments on the restoration of the work Moses and the Brazen Serpent by Anthony van Dyck.30th may 2014.

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Natural Histories. A Project by Miguel Ángel Blanco: Comparative Anatomies
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Natural Histories. A Project by Miguel Ángel Blanco: Comparative Anatomies

On the occasion of the exhibition "Natural Histories. A Project by Miguel Ángel Blanco" (19 November 2013 - 27 April 2014), the artist and curator of the project comments his artistic intervention entitled Comparative Anatomies.

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Concha Jerez: The Third of May 1808 in Madrid: the executions on Principe Pio hill by Goya
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Concha Jerez: The Third of May 1808 in Madrid: the executions on Principe Pio hill by Goya

On the occasion of the celebration of the International Woman’s Day and as part of the Miradas de Mujeres Festival, the artist Concha Jerez comments on the painting The Third of May 1808 in Madrid: the executions on Principe Pio hill by Goya.

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Paloma Navares:Adam and Eve by Dürer
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Paloma Navares:Adam and Eve by Dürer

On the occasion of the celebration of the International Woman’s Day and as part of the Miradas de Mujeres Festival, the artist Paloma Navares comments on the painting Adam and Eve by Dürer.

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Eva Lootz: Landscape with Saint Jerome, by Patinir
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Eva Lootz: Landscape with Saint Jerome, by Patinir

On the occasion of the celebration of the International Woman’s Day and as part of the Miradas de Mujeres Festival, the artist Eva Lootz comments on the painting Landscape with Saint Jerome by Patinir.

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Prometheus Bound, Peter Paul Rubens and Frans Snyders, Philadelphia Museum of Art
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Prometheus Bound, Peter Paul Rubens and Frans Snyders, Philadelphia Museum of Art

On the occasion of the exhibition The Furies. From Titian to Ribera (21 January 2014 to 4 May 2014), Alejandro Vergara, Chief Curator of Flemish and Northern School Paintings at the Museo Nacional del Prado, comments on the work Prometheus Bound, Peter Paul Rubens and Frans Snyders, Philadelphia Museum of Art.

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Commented works: The Finding of Moses, Paolo Caliari, Il Veronese, (Ca. 1580), by Miguel Falomir
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Commented works: The Finding of Moses, Paolo Caliari, Il Veronese, (Ca. 1580), by Miguel Falomir

On the occasion of the exhibition Captive Beauty from Fra Angelico to Fortuny, Miguel Falomir, Head of Department Italian and French Painting (to 1700) at the Museo Nacional del Prado, comments on the work The Finding of Moses, Paolo Caliari, Il Veronese, (Ca. 1580).

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