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Spain Insuring the Glory of the Philippines
Oil on canvas. 1888
Luna y Novicio, Juan
Spain Insuring the Glory of the Philippines
Oil on canvas. 1888
Luna y Novicio, Juan

The painting, which is now in the collection of Museo Nacional del Prado and on long-term loan to the City Council of Cádiz, is signed “Luna = Paris 1888”. It was completed by the time Luna moved to Paris, after winning a First Class medal for Spoliarium in 1884. It was commissioned by the Overseas Ministry and would be exhibited in the Barcelona Universal Exposition. The figure of Spain we

Queen Joan the Mad on the Ramparts of the Castle of La Mota
Oil on canvas. 1876
Pradilla y Ortiz, Francisco
Queen Joan the Mad on the Ramparts of the Castle of La Mota
Oil on canvas. 1876
Pradilla y Ortiz, Francisco

This small, sketchily painted canvas depicts one of the scenes that Pradilla rejected for his celebrated painting of Joan the Mad (P04584). It narrates an episode from the life of the Queen of Castile when, frustrated by the failure of her journey to Flanders to join her husband, she leant out over the ramparts of the famous castle to the alarm of her attendants

The Immaculate Conception
Oil on canvas. 1906
Pulido Fernández, Ramón
The Immaculate Conception
Oil on canvas. 1906
Pulido Fernández, Ramón

Saint's head (Saint Peter?)
Oil on canvas. 1635 - 1640
Guido, Giuseppe Di
Saint's head (Saint Peter?)
Oil on canvas. 1635 - 1640
Guido, Giuseppe Di

La pintura, probablemente recortada, es en realidad un producto napolitano, cuyos rasgos de robusto realismo denuncian de inmediato una deuda con los modelos seniles de José de Ribera desarrollados a partir de la tercera década del siglo XVII (y por lo demás no carente de contactos con los del Reni maduro). Sin embargo, el cromatismo terroso del empaste, así como la construcción volumétrica, con s

Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)
Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)

Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente López Portaña. His Neoclassical style was diametrically opposed to Tiepolo´s, whose style and paintings were falling out of fashion. The Spanish Collections hold many of his portraits. He was a refined and skyfull court painter with exquisite technique,

Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous; Kraek, Jan ( Also Called Giovanni Caracca)
Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous; Kraek, Jan ( Also Called Giovanni Caracca)

Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordaduras en oro. El tocado es más complejo, con flores -jazmines- y cintas rojas con perlas. Se reconocen algunas joyas como el famoso rubí, diamante y perla que heredó de Ana de Austria y que luce en su re

Saint Joseph with the Christ Child Sleeping in his Arms
Oil on canvas. 1652
Camilo, Francisco
Saint Joseph with the Christ Child Sleeping in his Arms
Oil on canvas. 1652
Camilo, Francisco

Until now, this canvas was thought to come from San Felipe el Real in Madrid, as Cruzada Villaamil (1865, no. 544, p. 38) mistakenly registered it. He believed it was one of the canvases mentioned by Palomino at that Augustine convent: "in a chapel beside the door to the cloisters there is a painting by him of Saint Joachim leading Our Lady as a girl by the hand; and another painting coupled with

Saint Anne, Saint Joachim and the Virgin
Oil on canvas. 1652
Camilo, Francisco
Saint Anne, Saint Joachim and the Virgin
Oil on canvas. 1652
Camilo, Francisco

While it is not listed in any known inventory, this canvas´s provenience from the convent of Los Carmelitas Descalzos in Toledo is certain, as it was coupled there with Saint Joseph with the Christ Child Sleeping in his Arms (P5170), which has the same dimensions, is dated the same year, and presents a complementary subject. The fact that the Virgin appears as a girl dressed in the Carmelite

Saint Teresa and her Brother Mr Rodrigo, attempting to build Hermitages
Oil on canvas. 1735
García de Miranda, Juan
Saint Teresa and her Brother Mr Rodrigo, attempting to build Hermitages
Oil on canvas. 1735
García de Miranda, Juan

Escena en la que se representa a Santa Teresa de Jesús acompañada por su hermano Rodrigo y varios ángeles llevando piedras para intentar construir en la huerta de su casa las ermitas de las que habla en su Libro de la Vida: "en una huerta que había en casa procurábamos, como podíamos, hacer ermitas poniedo unas piedrecillas, que luego se nos caían". Al fondo, aparece un paisaje con una noria que e

Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael
Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael

According to Ovid, the marriage of Hippodamia to Pirithous sparked a mythical battle between their kinsmen, the lapiths and the centaurs. This theme appealed to artists as symbolising the battle between the passions and the intellect. Tegeo echoed the classicism of the Bolognese School in this painting, regarded as his finest neoclassical composition. It belonged to the Prince of Anglona, the seco

The Annunciation
Tempera on panel. Ca. 1426
Angelico, Fra
The Annunciation
Tempera on panel. Ca. 1426
Angelico, Fra

This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to Mary under a portico. On the left, Adam and Eve are being expelled from Paradise. The damnation and salvation of Humanity. The predella has scenes from the life of the Virgin; Mary’s Birth, Her Wedding with Saint Joseph, Mary’s Visit to her cous

Unknown Lady
Oil on canvas. 1630
Vos, Cornelis de
Unknown Lady
Oil on canvas. 1630
Vos, Cornelis de

The Adoration of the Shepherds
Oil on canvas. Early XVIII century
Palomino y Velasco, Acisclo Antonio
The Adoration of the Shepherds
Oil on canvas. Early XVIII century
Palomino y Velasco, Acisclo Antonio

Composición dividida en dos partes: la inferior o terrenal, con los personajes de la Virgen, el Niño, San José y los pastores con ofrendas y la superior o celestial, con un grupo de ángeles portadores de una filacteria con el lema "Gloria in excelsis Deo". Se observa un desequilibrio entre el tamaño de los ángeles y el de los personajes de la parte inferior, pero no es el único caso en el que Palo

Reading
Oil on canvas. XVII century
Anonymous
Reading
Oil on canvas. XVII century
Anonymous

Elizabeth Charlotte of the Palatinate, Duchess of Orléans
Oil on canvas. 1675
Mignard, Pierre (Copy After)
Elizabeth Charlotte of the Palatinate, Duchess of Orléans
Oil on canvas. 1675
Mignard, Pierre (Copy After)

Elizabeth Charlotte, Duchess of Baveria, Madame Palatine, second wife of Philippe I, Duke of Orléans and and mother of Philippe II, Duke of Orléans. This canvas is one of a group of portraits collected by María Luisa de Orleans (1662-1689), first wife of Carlos II of Spain, which would become part of the Royal Collection. Some of these paintings must have decorated the Queen´s

Phillip of France, I Duke of Orléans
Oil on canvas. Last quarter of the XVII century
Mignard, Pierre (Circle Of)
Phillip of France, I Duke of Orléans
Oil on canvas. Last quarter of the XVII century
Mignard, Pierre (Circle Of)

Phillip of France, I Duke of Orléan, was the second son of Louis XIII of France and the Spanish Infanta Ana of Austria; born on September 21, 1640; died June 9, 1701, in Saint-Cloud. He was the father of Ma Luisa de Orleans, queen of Spain when she married Carlos II. This canvas is one of a group of portraits collected by María Luisa de Orleans (1662-1689), first wife of Carlos II of

Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous
Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous

Isabella of Bourbon, Countess of Charolais (1434-1465) was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy.

Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous
Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous

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