The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

RDF
Refine results
7142 results
Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)
Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)

This is a painting of rather mediocre quality for which the artists drew on several ricordi from the stock at the family bottega. To cite an example, the horse and pair of dogs on the right specifically repeat the ones that appear in a similar position in Adam Being Reprimanded (P21). This juxtaposition of standardised models explains the obvious problems of scale in the depiction of the animals,

Vase of Lilacs
Oil on canvas. Ca. 1890
Francés y Arribas, Fernanda
Vase of Lilacs
Oil on canvas. Ca. 1890
Francés y Arribas, Fernanda

A painter and teacher, Fernanda Francés enjoyed success and public recognition in the Spain of the Restoration. Specialising in flower painting and still lifes, and supported by clear critical acclaim, she won a second-class medal for this work at the 1890 National Exhibition. The profound realism of her art attracted a broad private clientele who kept her works in demand for several decade

The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando
The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando

The composition derives from a lost work by Leonardo repeated by Yáñez on two other occasions with some variants. Here he includes a chalice and a consecrated Host, a Eucharistic reference that enjoyed a lengthy tradition in Spanish and particularly Valencian art. The emphasis on anatomical definition, subtle colour and a unifying light are characteristic of the artist at this period

Foundling!
Oil on canvas. 1901
Torre y Estefanía, Rafael de la
Foundling!
Oil on canvas. 1901
Torre y Estefanía, Rafael de la

The woman seated at the back of the carriage is an open allusion to the famous parricide immortalised by Sorolla in his painting Another Marguerite!! (Saint Louis, Missouri, Kemper Art Museum). With a repressed expression that evidences a certain guilt, the young woman looks at the wet nurse in the foreground, one of those women who were subsidised by the State to nurse the children in foundling h

Military Convoy
Oil on canvas. 1776 - 1778
González Velázquez, Antonio
Military Convoy
Oil on canvas. 1776 - 1778
González Velázquez, Antonio

It is a tapestry cartoon intended for the ‘silverware room in the king’s apartment’ within El Pardo Palace. It depicts the unloading of a war ammunition convoy accompanied by soldiers. In this painting, the artist imitated the style of Philips Wouwerman.

Military Convoy
Oil on canvas. 1776 - 1778
González Velázquez, Antonio
Military Convoy
Oil on canvas. 1776 - 1778
González Velázquez, Antonio

It is a tapestry cartoon intended for the ‘silverware room in the king’s apartment’ within El Pardo Palace. It depicts the march of a vast army towards a fortress in the background, directed by a noble captain on a white horse and accompanied by his wife and son. In this painting, the artist imitated the style of Philips Wouwerman.

The Burial of Christ
Oil on slate. Late XVI century
Bassano (Workshop Of)
The Burial of Christ
Oil on slate. Late XVI century
Bassano (Workshop Of)

The Bassanos’s studio specialized in the serial production of small works for private devotion based on the great composition by the head of the family, Jacopo. The Burial of Christ, painted on slate, is an example of this type. The paint losses are due to the surface of the slate being excessively polished before painting.

Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso
Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso

This painting is among the few known works from Berruguete’s formative years in Florence and Rome, the latter depicted in the background. The bridle bit, the hand on the breast and the laurel wreath allude to the subjugation of the instincts by reason and temperament.

Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael
Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael

According to Ovid, the marriage of Hippodamia to Pirithous sparked a mythical battle between their kinsmen, the lapiths and the centaurs. This theme appealed to artists as symbolising the battle between the passions and the intellect. Tegeo echoed the classicism of the Bolognese School in this painting, regarded as his finest neoclassical composition. It belonged to the Prince of Anglona, the seco

Louis XIV, King of France
Oil on canvas. Ca. 1665
Mignard, Pierre (Circle Of)
Louis XIV, King of France
Oil on canvas. Ca. 1665
Mignard, Pierre (Circle Of)

This canvas is one of a group of portraits collected by María Luisa de Orleans (1662-1689), first wife of Carlos II of Spain, which would become part of the Royal Collection. Some of these paintings must have decorated the Queen´s Gallery in the Alcázar (Madrid), a representation space where the Queen launched a decorative and iconographic program of exaltation of her dynasty. Others

The Way to Calvary
Oil on canvas. XVII century
Anonymous
The Way to Calvary
Oil on canvas. XVII century
Anonymous

Last Moments of Ferdinand IV the Summoned (sketch)
Oil on panel. 1860
Casado del Alisal, José
Last Moments of Ferdinand IV the Summoned (sketch)
Oil on panel. 1860
Casado del Alisal, José

This is the first rough sketch prior to the definitive preparatory piece (now at the Diputación de Palencia) of the picture held by the Museo del Prado (P5728). It shows the king Ferdinand IV of Castile on his deathbed, where he is confronted by the apparition of the brothers Juan and Pedro de Carvajal, unjustly executed by order of the monarch one month earlier, and said to have summoned h

The Crucifixion with Saints and Donors
Oil on panel. Ca. 1475
Goes, Hugo Van Der (Follower Of)
The Crucifixion with Saints and Donors
Oil on panel. Ca. 1475
Goes, Hugo Van Der (Follower Of)

This is a traditional representation of Mount Calvary with Christ on the Cross, Mary and Saint John in front of a landscape. This sacred scene is accompanied by four standing saints: two male saints, Saint Jerome and Saint James the Great on the left; and two female saints, Saint Mary Magdalene and Saint Catherine on the right. In addition, a family of kneeling donors is depicted in the foreground

The Virgin and Child
Oil on canvas. XVIII century
Meléndez, Luis Egidio
The Virgin and Child
Oil on canvas. XVIII century
Meléndez, Luis Egidio

Our Lady of Solitude
Oil on copperplate. XVI century
Anonymous
Our Lady of Solitude
Oil on copperplate. XVI century
Anonymous

Maximina Martínez de Pedrosa, the Artist's Mother
Oil on canvas. 1892
Rosales Martínez de Pedrosa, Carlota
Maximina Martínez de Pedrosa, the Artist's Mother
Oil on canvas. 1892
Rosales Martínez de Pedrosa, Carlota

The painter Carlota Rosales was the second daughter of Eduardo Rosales (1836-1873) and the only one to survive him. She received training from her godfather Vicente Palmaroli (1834-1896) and in 1887 became the first woman to receive a pension to join the Real Academia de España en Roma (Spanish Royal Academy in Rome). This pension consisted of 8,000 reales and was extraordinarily granted by

Portrait of a Lady
Oil on canvas. Second half of the XVII century
Anonymous
Portrait of a Lady
Oil on canvas. Second half of the XVII century
Anonymous

The execution of this portrait and the details of the figure’s clothing place this work within the orbit of portraits in the Italian regions of Emilia and Lombardy during 1650-1700. It is particularly close to the corpus of effigies that, up until a few years ago, were attributed to the Milanese painter Pier Francesco Cittadini (1616–1681). According to the most recent research on this artist, he

The Holy Family with the Infant Saint John the Baptist
Oil on canvas.
Anonymous
The Holy Family with the Infant Saint John the Baptist
Oil on canvas.
Anonymous

Up