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Apparition of the Angels to Saint Jerome
Oil on canvas. 1602 - 1603
Albani, Francesco
Apparition of the Angels to Saint Jerome
Oil on canvas. 1602 - 1603
Albani, Francesco

This painting entered the royal collection during the reign of Charles IV, King of Spain. In his inventory of the Casita del Principe (Cottage of the Prince) in El Escorial, it is registered as a work by Lucio Massari. This attribution also appears in the inventory of Ferdinand VII, King of Spain, in Palacio Real Nuevo, where it was located in 1814. However, in the Real Museo’s inventory of 1857,

James the Great
Fresco painting on mural transferred to canvas. 1604 - 1605
Albani, Francesco
James the Great
Fresco painting on mural transferred to canvas. 1604 - 1605
Albani, Francesco

Annibale Carracci painted these works without previous cartoons as part of a group for the chapel of San Diego de Alcalá at the Church of San Giacomo degli Spagnoli in Rome. This church’s founder, don Diego de Herrera, commissioned Albani and Carracci to paint these works, for which the latter supplied all of the drawings. Badalocchio and Lanfranco were also involved. King Ferdinand VII had

Saint Didacus of Alcalá receiving alms
Fresco painting on mural transferred to canvas. 1604 - 1605
Carracci, Annibale; Albani, Francesco
Saint Didacus of Alcalá receiving alms
Fresco painting on mural transferred to canvas. 1604 - 1605
Carracci, Annibale; Albani, Francesco

Annibale Carracci painted these works without previous cartoons as part of a group for the chapel of San Diego de Alcalá at the Church of San Giacomo degli Spagnoli in Rome. This church’s founder, don Diego de Herrera, commissioned Albani and Carracci to paint these works, for which the latter supplied all of the drawings. Badalocchio and Lanfranco were also involved. King Ferdinand VII had

Saint Didacus of Alcalá receiving the franciscan habit
Fresco painting on mural transferred to canvas. 1604 - 1605
Carracci, Annibale; Albani, Francesco
Saint Didacus of Alcalá receiving the franciscan habit
Fresco painting on mural transferred to canvas. 1604 - 1605
Carracci, Annibale; Albani, Francesco

Annibale Carracci painted these works without previous cartoons as part of a group for the chapel of San Diego de Alcalá at the Church of San Giacomo degli Spagnoli in Rome. This church’s founder, don Diego de Herrera, commissioned Albani and Carracci to paint these works, for which the latter supplied all of the drawings. Badalocchio and Lanfranco were also involved. King Ferdinand VII had

The Toilet of Venus
Oil on canvas. 1635 - 1640
Albani, Francesco
The Toilet of Venus
Oil on canvas. 1635 - 1640
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined and lyrical view of nature helped disseminate the classical ideals of the Carracci`s landscapes. The toilet of Venus, c. 1635-40, is one of many versions Albani made of this subject (the most famous

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined and lyrical view of nature helped disseminate the classical ideals of the Carracci`s landscapes.Albani`s The judgement of Paris, c.1650-60, shows the shepherd prince admiring the beauty of three godd

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