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Saint Peter freed by an Angel
Taille douce: etching and engraving on wove paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Calcografía Nacional; Bueno, León
Saint Peter freed by an Angel
Taille douce: etching and engraving on wove paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Calcografía Nacional; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints o

Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Patio of the Evangelists, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on laid paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional
Patio of the Evangelists, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on laid paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional

View of the main cloister, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional
View of the main cloister, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional

Patio of the Evangelists, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional
Patio of the Evangelists, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional

View of the monument to Holy Week, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional
View of the monument to Holy Week, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional

View of the main nave of the temple and of the Corpus Christi procession, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional
View of the main nave of the temple and of the Corpus Christi procession, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Alegre, Manuel; Gómez de Navia, José; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional

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