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Henry IV
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Henry IV
Oil on canvas. Second half of the XVII century
Arco, Alonso del

This heroic full-length portrait presents the king under a red-and-gold curtain with a landscape in the background. He wears a crown and, under a blue tunic, armor. His right hand rests on the head of [+]

Saint John of Capistrano
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Saint John of Capistrano
Oil on canvas. Second half of the XVII century
Arco, Alonso del

In this representation of Saint John of Capistrano, the painter has faithfully followed his traditional iconography. Dressed in a Franciscan habit with a red cross on it, he stands beneath a shining s [+]

Saint William of Aquitaine
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Saint William of Aquitaine
Oil on canvas. Second half of the XVII century
Arco, Alonso del

While traditionally considered anonymous, this work has been linked to Alonso del Arco by Natividad Galindo, who pointed out its evident relation to the work of Pereda. Certain elements, such as the w [+]

Saint Rose of Viterbo
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Saint Rose of Viterbo
Oil on canvas. Second half of the XVII century
Arco, Alonso del

Compositionally, this work can be considered parallel to Saint John of Capistrano (P5350), as both are large likenesses of Saints, both hold the Crucifix in the same way, and both have a small-scale r [+]

Cardinal Juan Everardo Nithard
Oil on canvas. 1674
Arco, Alonso del
Cardinal Juan Everardo Nithard
Oil on canvas. 1674
Arco, Alonso del

Born to an Austrian Catholic family, Juan Everardo Nithard (Falkenstein, 1607-Rome, 1681)became a Jesuit. His solid grounding in theology led Emperor Ferdinand III to appoint him confessor to his chil [+]

The Virgin of Mercy Appearing to Saint Peter Nolasco
Oil on canvas. 1682
Arco, Alonso del
The Virgin of Mercy Appearing to Saint Peter Nolasco
Oil on canvas. 1682
Arco, Alonso del

This is one of a series of four canvases mentioned by Ponz as having been sent to the Museo de la Trinidad (1800, I, fourth letter, paragraph 10): "The Convent of Saint Catherine, which is of the Shod [+]

The Immaculate Conception
Oil on canvas. 1683
Arco, Alonso del
The Immaculate Conception
Oil on canvas. 1683
Arco, Alonso del

Drawn from the Apocalypse of Saint john, The Immaculate Conception is a frequent iconic subject in Spanish painting. In Madrid, especially during the second half of the 17th century, it was so frequen [+]

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