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In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel contains water. The specific varieties of flowers vary in the two works, but the similarities in the paintings´ dimensions and in the strategies adopted in the depiction of their subjects -toget
In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel contains water. The specific varieties of flowers vary in the two works, but the similarities in the paintings' dimensions and in the strategies adopted in the depiction of their subjects -together wi
Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produced works that became known throughout Europe -especially in Spain, where they had a decisive influence on local artists. The present painting and its pendant (P2508) magnificently exemplify the depen
Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produced works that became known throughout Europe -especially in Spain, where they had a decisive influence on local artists. The present painting and its pendant (P2507) magnificently exemplify the depen
A still life with peaches and pears on a pewter plate. Arellano is known fundamentally as an excellent flower painter, although his workshop is known to have produced paintings with other subjects, especially still lifes with fruit, which were subsequently sold in that artist´s own shop, facing the church of San Felipe. This canvas is the only known work in that genre signed by the artist, w
Juan de Arellano specialised in painting pictures of flowers, which brought him great artistic and financial success. Here, he depicts a wicker container with a bouquet of tulips, roses, campanulas and other species. The flowers have been pruned, and while some still retain their freshness, others have begun to wilt and have fallen on the stone pedestal. The artist merges elements of Flemish origi
Throughout his career, Juan de Arellano executed flower pieces of a horizontal format that represent bouquets in open weave wicker baskets. During the last decade of his career, he painted a number of these works on a large scale that constitute the apogee of his flower pieces of this type. The basket motif also appears in a number of other flower paintings from the period, such as Antonio Ponce´s
This artist was a fundamental referent for Spanish still lifes in general and flower paintings in particular. He was that specialty’s consummate master and its leading light at the height of the Siglo de Oro, producing a plethora of works of unquestionable quality in a field already filled with them. He was also the most important artist with this surname, including close relatives and others. His
Resting on a stone base, an openwork wicker basket full of flowers is the subject of this painting. The flowers represent an enormous variety of species, enabling a notably rich range of colours and forms, even when the entire arrangement is structured symmetrically. Among the manifold varieties are lilies, tulips, hydrangeas, roses, anemones and carnations, some of which -like the tulips- would h
