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Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
As Arslan points out, this is the best known version of the Partenza per Canaan (Venice, Palazzo Ducale; 150 x 205 cm) which Jacopo Bassano painted for the Venetian patrician Jacopo Contarini, whose d [+]
This is a condensed version in vertical format of the Adoration of the Magi at the Galleria Borghese in Rome (inv. 150), a painting that is difficult to attribute and which Arslan believed to be by Fr [+]
Unlike the adoration of the shepherds, which took place at night according to the gospel account, the nocturnal setting for the Holy Family´s flight into Egypt was an invention of the painter, since M [+]
This work is a variation on the painting executed by Jacopo towards 1580 for the main altar of the church of the Capuchins in Bassano del Grappa (Museo Civico, inv. 18), a large work (237 x 155 cm) wi [+]
It is surprising that such a significant passage was seldom represented pictorially, whereas there are many examples of the moment immediately after the expulsion from Paradise. Neither was it a frequ [+]
This work portrays the well-known New Testament parable (Luke, 15: 11-32) illustrating the repentance of the sinner and the virtues of forgiveness. The pretext for the setting is the banquet given by [+]
This replica by Francesco of the original painted by his father in 1583-85 (London, National Gallery no. 228) exemplifies how Jacopo´s inventions were transformed and adapted by the bottega, sometimes [+]
Although Bettini noted a number of paternal precedents for this painting, it is a personal interpretation by Francesco of the gospel passage. Three versions are known, of which the Prado painting is t [+]
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