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Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]
It is surprising that such a significant passage was seldom represented pictorially, whereas there are many examples of the moment immediately after the expulsion from Paradise. Neither was it a frequ [+]
This painting is Jacopo´s first depiction of the passage from Genesis 6:20 and the only one in which the theme is treated separately rather than as part of a series depicting the story of Noah. Jacopo [+]
This work portrays the well-known New Testament parable (Luke, 15: 11-32) illustrating the repentance of the sinner and the virtues of forgiveness. The pretext for the setting is the banquet given by [+]
During the sixteenth and seventeenth centuries, Jacopo Bassano and his sons were renowned throughout Europe, but most of all in Spain, after Philip II began acquiring their works in the 1570s. Jacopo [+]
It was Ballarin who discovered what is probably the Prado´s finest painting by Jacopo, and one of his most impressive late works, hanging in the Sala de Juntas of the Universidad de Barcelona, where i [+]
There are two more known versions of this work in Vienna (Kunsthistorisches Museum, inv. 1581) and a private collection in Padua. The former has always been attributed to Francesco, whereas Ballarin h [+]
The Elements, the last of the series of four canvases conceived by Jacopo after the Noah cycle and the Seasons, is dated around 1576-1577. There are three known incomplete series produced by the botte [+]
