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Allegories of Agriculture and Trade
Oil on canvas. XVIII century
Bayeu, Francisco
Allegories of Agriculture and Trade
Oil on canvas. XVIII century
Bayeu, Francisco

Allegories of Fame and Victory
Oil on canvas. XVIII century
Bayeu, Francisco
Allegories of Fame and Victory
Oil on canvas. XVIII century
Bayeu, Francisco

Allegory of Victory
Oil on canvas. XVIII century
Bayeu, Francisco
Allegory of Victory
Oil on canvas. XVIII century
Bayeu, Francisco

Sketch of the Triumph of the Holy Cross for the ceiling of the Royal Palace in Madrid
Oil on canvas. XVIII century
Bayeu, Francisco
Sketch of the Triumph of the Holy Cross for the ceiling of the Royal Palace in Madrid
Oil on canvas. XVIII century
Bayeu, Francisco

The Assumption of the Virgin
Oil on canvas. Ca. 1760
Bayeu, Francisco
The Assumption of the Virgin
Oil on canvas. Ca. 1760
Bayeu, Francisco

This is a preparatory oil sketch for the decoration of a section of the dome in the monastery church of Santa Engracia, Zaragoza. An early work by the artist, it is close to the style of Antonio González Velázquez (1723-1794). Bayeu makes use of a complex palette and dark tonalities with a preference for browns and greyish-red shades that looks back to Spanish Golden Age painting.

The Surrender of Granada
Oil on canvas. Ca. 1763
Bayeu, Francisco
The Surrender of Granada
Oil on canvas. Ca. 1763
Bayeu, Francisco

Sketch for the fresco, The Surrender of Granada, at the old formal dining room in Madrid´s Royal Palace, from 1763.

Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco
Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco

This is a preparatory sketch for a mural of Saint Teresa on clouds, accompanied by other Carmelite nuns. The saint is received by the Virgin, who points to the Holy Trinity. The composition reflects the influence of the Baroque style of Luca Giordano (1634-1705), modified by the aesthetic of Corrado Giaquinto (1703-1766).

Pentecost
Oil on canvas. Ca. 1769
Bayeu, Francisco
Pentecost
Oil on canvas. Ca. 1769
Bayeu, Francisco

While this work has traditionally been identified as one of the sketches that Francisco Bayeu made for the lost compositions he painted in 1796 for the cloister of the convent of San Pascual in Aranjuez (Annunciation, Nativity, Ascension and Pentecost), that identification is actually erroneous, as Morales y Marín discovered in his two studies of that artist (1979 and 1995). After studying

Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco
Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco

Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu´s style came about under the influence of Antonio González Velázquez (1723-93), who visited Zaragoza soon after returning from Italy in 1752, carrying models and drawings by his Italian

The Ascension of the Lord
Oil on canvas. 1769
Bayeu, Francisco
The Ascension of the Lord
Oil on canvas. 1769
Bayeu, Francisco

This composition with an arched top appears here in a preparatory sketch for the corresponding canvas of the Ascension that forms part, along with the Annunciation, the Nativity and Pentecost, of a series made in 1769 for the cloister of the convent of San Pascual in Aranjuez.

The Creation of Adam
Oil on canvas. 1771
Bayeu, Francisco
The Creation of Adam
Oil on canvas. 1771
Bayeu, Francisco

This is a preparatory oil sketch for one of the eight, now lost, frescoes for the dome of the collegiate church at La Granja de San Ildefonso, Segovia. They depicted the exaltation of the Holy Trinity and the revelation of the existence of God. On Tiepolo’s death in 1770, Francisco Bayeu took over the commission, combining Tiepolo’s approach to space with Mengs’s precise modelling and sculptural b

Abraham and the three Angels
Oil on canvas. 1771
Bayeu, Francisco
Abraham and the three Angels
Oil on canvas. 1771
Bayeu, Francisco

Sketch for one of the eight segments of the dome of the collegiate church at La Granja, Segovia. These Old and New Testament scenes (destroyed in 1918) glorified the Holy Trinity. God reprimands Adam and Eve for disobeying him, while an angel announces to Abraham that his barren wife will bear a child.

Saint John the Evangelist
Oil on canvas. 1771
Bayeu, Francisco
Saint John the Evangelist
Oil on canvas. 1771
Bayeu, Francisco

Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the compositions with the harmony, solidity and clarity he learnt while training under Mengs. Three of the evangelists are shown writing, inspired by angels, while Saint Luke, patron of painters, holds an

Saint Luke
Oil on canvas. 1771
Bayeu, Francisco
Saint Luke
Oil on canvas. 1771
Bayeu, Francisco

Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the compositions with the harmony, solidity and clarity he learnt while training under Mengs. Three of the evangelists are shown writing, inspired by angels, while Saint Luke, patron of painters, holds an

Saint Matthew
Oil on canvas. 1771
Bayeu, Francisco
Saint Matthew
Oil on canvas. 1771
Bayeu, Francisco

Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the compositions with the harmony, solidity and clarity he learnt while training under Mengs. Three of the evangelists are shown writing, inspired by angels, whileSaint Luke, patron of painters, holds an

Saint Mark
Oil on canvas. 1771
Bayeu, Francisco
Saint Mark
Oil on canvas. 1771
Bayeu, Francisco

Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the compositions with the harmony, solidity and clarity he learnt while training under Mengs. Three of the evangelists are shown writing, inspired by angels, while Saint Luke, patron of painters, holds an

Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco
Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco

Sketch for one of the eight segments of the dome of the collegiate church at La Granja, Segovia. These Old and New Testament scenes (destroyed in 1918) glorified the Holy Trinity. God reprimands Adam and Eve for disobeying him, while an angel announces to Abraham that his barren wife will bear a child.In this sketchs the noble simplicity of the poses and emotions evidences the influence of Anton R

The Calling of the Prophet Isaiah
Oil on canvas. 1771
Bayeu, Francisco
The Calling of the Prophet Isaiah
Oil on canvas. 1771
Bayeu, Francisco

This is a preparatory oil sketch for one of the eight frescoes, now lost, by Bayeu for the dome of the collegiate church at La Granja de San Ildefonso, Segovia. They depicted the exaltation of the Trinity and the revelation of the existence of God. A seraphim with a live coal taken from the temple altar approaches Isaiah, kneeling before a vision of God, and touches him with it in order to leave h

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