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The Descent from the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo
The Descent from the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo

This is a copy after the famous altarpiece by Federico Barocci (1535-1612) in the cathedral at Perugia, painted in 1566-69. This drawing is a fine and characteristic example of Bellini´s style of draw [+]

The dormition of the Virgin
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo
The dormition of the Virgin
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo

Apparently Walter Vitzthum suggested the present, convincing attribution to Filippo Bellini. It seems indeed a characteristic work, if one compares it with the many drawings reproduced in Monbeig Gogu [+]

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

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