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Prince Don Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique -Lithographer- (After Sánchez Coello, Alonso); Real Establecimiento Litográfico de Madrid
Prince Don Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique -Lithographer- (After Sánchez Coello, Alonso); Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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Prince Don Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique -Lithographer- (After Sánchez Coello, Alonso); Real Establecimiento Litográfico de Madrid
Prince Don Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique -Lithographer- (After Sánchez Coello, Alonso); Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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La gallega de la moneda
Crayon lithography, Pen lithography, Lithographic aquatint on wove paper. 1826 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Anonymous (Follower Of Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
La gallega de la moneda
Crayon lithography, Pen lithography, Lithographic aquatint on wove paper. 1826 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Anonymous (Follower Of Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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Christ the Saviour with the Eucharist
Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Christ the Saviour with the Eucharist
Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el lienzo de Juan de Juanes conservado en el Museo Nacional del Prado (P00844). Esta estampa se entregaba con el [+]

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A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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Christ the Saviour with the Eucharist
Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Christ the Saviour with the Eucharist
Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el lienzo de Juan de Juanes conservado en el Museo Nacional del Prado (P00844). Esta estampa se entregaba con el [+]

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A Sybil
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Estampa de Enrique Blanco que reproduce un lienzo de Diego Rodríguez de Silva y Velázquez conservada en el Museo Nacional del Prado (P01197). En el inventario de las pinturas del palacio de La Granja [+]

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A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco que reproduce el lienzo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01197). En el inventario de las pinturas del palacio de [+]

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The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

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The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

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The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Add to My Prado
Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Add to My Prado
Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

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