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David appears with Goliath´s head. Four women occupy the right side of the composition, one dancing with a tambourine and the other three accompanying her with singing and, at the right end of the canvas, a baroque guitar. The figure next to the guitarist appears to be looking attentively at the score, which is nonetheless partially covered by the instrumentalist´s arm. The third leans
This holy conversation conceived with a closed scheme that reflects the Renaissance tradition, and human models based directly on those used by Alonso Cano, has a degree of immediacy and spontaneous familiarity derived from how the different figures relate to each other. Young Saint John draws near to kiss his infant cousin Jesus´ hand while John´s mother expresses their family relatio
