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The Adoration of the Magi
Oil on panel. Ca. 1530
Coecke Van Aelst, Pieter
The Adoration of the Magi
Oil on panel. Ca. 1530
Coecke Van Aelst, Pieter

Van Aelst maintains the traditional triptych structure but updates it by representing a single scene, thus achieving the compositional unity promoted by Italian Renaissance art. The iconography and co [+]

Triptych with the Annunciation, the Adoration of the Magi and the Nativity with Angels and Shepherds
Oil on panel. 1525 - 1550
Coecke Van Aelst, Pieter
Triptych with the Annunciation, the Adoration of the Magi and the Nativity with Angels and Shepherds
Oil on panel. 1525 - 1550
Coecke Van Aelst, Pieter

This triptych shows The Adoration of the Magi on its central panel, with The Annunciation on the left door and The Adoration of the Angels and Shepherds on the right. Each scene takes place in a diffe [+]

Saint James the Greater with Donors in Prayer / Saint Sebastian
Oil on panel. 1532
Coecke Van Aelst, Pieter
Saint James the Greater with Donors in Prayer / Saint Sebastian
Oil on panel. 1532
Coecke Van Aelst, Pieter

The Apostle protects a group of male donors wearing the habit of the Dominican Order. In the background, angels bear souls to Heaven. Characteristically, Coecke conveys the movement of clothes and hai [+]

Saint John the Evangelist with Two Ladies and Two Girls / Saint Hadrian
Oil on panel. 1532
Coecke Van Aelst, Pieter
Saint John the Evangelist with Two Ladies and Two Girls / Saint Hadrian
Oil on panel. 1532
Coecke Van Aelst, Pieter

The Evangelist, identified by the chalice he holds in his hand, protects four female donors dressed in plain devotional habits. In the background, Coecke provides a vision of Hell that reflects the st [+]

The Temptations of Saint Anthony Abbot
Oil on panel. 1543 - 1550
Coecke Van Aelst, Pieter
The Temptations of Saint Anthony Abbot
Oil on panel. 1543 - 1550
Coecke Van Aelst, Pieter

Saint Anthony is tempted by the Devil, transformed into a beautiful naked woman accompanied by a witch. The burning city in the background, the monsters and other elements are derived from Bosch (c. 1 [+]

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