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Rest on the Flight into Egypt or Madonna della Scodella
Oil on canvas. XVI century
Correggio (Antonio Allegri) (Copy After)
Rest on the Flight into Egypt or Madonna della Scodella
Oil on canvas. XVI century
Correggio (Antonio Allegri) (Copy After)

La obra es una copia antigua y de tamaño casi coincidente de la célebre Madonna della scodella de Correggio hoy conservada en la Galleria Nazionale de Parma (inv. GN350, 1528-1530, óleo sobre tabla, 218 x 137 cm), en la que se representa el descanso de la Sagrada Familia en su huida a Egipto. Procede del monasterio de El Escorial, donde fue descrita por fray José de Sigüenza en 1605 (fol. 833): "e

The Agony in the Garden
Oil on panel. XVI century
Correggio (Antonio Allegri) (Copy After)
The Agony in the Garden
Oil on panel. XVI century
Correggio (Antonio Allegri) (Copy After)

The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)
The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)

Outside of Rome and Florence, no painter was as decisive in the formulation of painting´s classical language as Corregio. His youth, before his stay in Rome in 1518 and 1519, cannot be understood without Mantegna and Leonardo da Vinci, whose influence can be seen in the present work, painted in Parma between 1515 and 1517. The classical appearance of the Virgin´s sandals comes from Mantegna, while

Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)
Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)

Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea Mantegna, and especially Leonardo, Correggio drew on those influences to shape his personal and decisive contribution to the classical style. After returning to his native Parma in 1520 he focused on

The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Correggio (Antonio Allegri) (Copy After)
The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Correggio (Antonio Allegri) (Copy After)

En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover al espectador ante el sacrificio de Jesús. Como su pareja, Martirio de los santos Plácido, Flavia, Eutiquio y Victorino (P118), difiere del original -pintado también para la iglesia de San Giovanni Ev

The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Correggio (Antonio Allegri) (Copy After)
The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Correggio (Antonio Allegri) (Copy After)

Pareja de El Descendimiento o La Quinta Angustia (P117), ambos son copias en pequeño formato de dos óleos sobre lienzo pintados por Correggio entre 1520 y 1524 para la iglesia de San Giovanni Evangelista de Parma. Aunque esta obra no presenta igual intensidad cromática que la original, reproduce fielmente la composición y mantiene su dinamismo y su sentido dramático. Los cuerpos de Eutiquio y Vict

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