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La Feria de Madrid en la plaza de la Cebada
Oil on canvas. 1770 - 1780
Cruz Vázquez, Manuel de la
La Feria de Madrid en la plaza de la Cebada
Oil on canvas. 1770 - 1780
Cruz Vázquez, Manuel de la

[+]

Muerte de Mengs
Brush, Pencil ground, Ink, Wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Muerte de Mengs
Brush, Pencil ground, Ink, Wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Aunque la calidad del dibujo es bastante mediocre, resulta interesante y característica la acumulación de símbolos y alegorías, al servicio de la divinización del pintor. El dibujo presenta un papel p [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la
Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la

Sentado bajo un árbol, con las manos juntas y la mirada alzada. A su lado, tendido, el cerdo. Rematado en forma mixtilínea como lienzo de altar. (Texto extractado de Pérez Sánchez, A. E.: Catálogo de [+]

La Inmaculada con San Francisco y San Antonio
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la
La Inmaculada con San Francisco y San Antonio
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la

La Virgen, en pie, en el centro, con las manos juntas y pisando la serpiente. A la derecha, san Antonio de Padua, arrodillado con el niño Jesús en brazos, a la izquierda, san Francisco, semiarrodillad [+]

San Antonio abad en gloria
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la
San Antonio abad en gloria
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la

Arrodillado sobre una nube, hacia la derecha, con la mirada alzada. Tras él, un ángel adolescente y en primer término, el cerdo. Rematada la composición en arco mixtilíneo, como para cuadro de altar. [+]

Portrait of a Seated Woman
Stipple engraving, Etching on laid paper. 1791 - 1800
Vázquez, Bartolomé -Engraver- (After Mor, Anthonis); Cruz Vázquez, Manuel de la
Portrait of a Seated Woman
Stipple engraving, Etching on laid paper. 1791 - 1800
Vázquez, Bartolomé -Engraver- (After Mor, Anthonis); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Saint John the Baptist in the desert
Taille douce: etching and engraving on laid paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la
Saint John the Baptist in the desert
Taille douce: etching and engraving on laid paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Saint John the Baptist in the desert
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la
Saint John the Baptist in the desert
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Feast of Bacchus
Taille douce: etching and engraving on continuous paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la
The Feast of Bacchus
Taille douce: etching and engraving on continuous paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la; Imprenta Real
The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la
The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

The Coronation of the Virgin
Taille douce: etching and engraving on continuous paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la
The Coronation of the Virgin
Taille douce: etching and engraving on continuous paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la
The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Saint Mary of Egypt
Taille douce: etching and engraving on laid paper. 1797
Pierron, Jean Antoine -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la
Saint Mary of Egypt
Taille douce: etching and engraving on laid paper. 1797
Pierron, Jean Antoine -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Saint Mary of Egypt
Taille douce: etching and engraving on continuous paper. 1797
Pierron, Jean Antoine -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la
Saint Mary of Egypt
Taille douce: etching and engraving on continuous paper. 1797
Pierron, Jean Antoine -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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