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Here Esteve combines the influence of Velázquez’s use of indefinite spaces with Murillo’s grace and chromatic harmony and Goya’s loose, precise technique. Considered the artist’s finest portrai [+]
Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]
The sitter is the First Count Colomera (1723-1819), a distinguished soldier who served in the Spanish army during various successive reigns. The canvas uses numerous devices typical of Baroque descrip [+]
This work is a copy of the portrait painted by Goya in 1799. It was made for the royal favourite Manuel Godoy, whose collection was confiscated following his fall from power in 1808. Charles wears the [+]
A month after giving her approval to the portrait Goya had painted of her in a mantilla in September 1799, Queen Maria Luisa wrote to Manuel Godoy, “I want you to have a copy made by Esteve”. Indeed, [+]
Born in 1803, the boy wears the cadet’s uniform of the naval college. The whiteness of the suit and the painstaking detail of the embroidery on the jacket and cap afford the portrait its characteristi [+]
Este autorretrato de Velázquez tomado de las Meninas (P1174) es una de las pocas estampas del pintor Agustín Esteve, de la que se conserva otro ejemplar en el British Museum (inv. 1849,1208.8). [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
Esta estampa reproduce la pintura de Andrea del Sarto que se conservaba en el Palacio Real de Madrid, hoy en el Museo del Prado (P00339). Giacomo Bossi grabó la plancha de cobre (Calcografía Nacional, [+]
Esta estampa reproduce la pintura de Andrea del Sarto que se conservaba en el Palacio Real de Madrid, hoy en el Museo del Prado (P00339). Giacomo Bossi grabó la plancha de cobre (Calcografía Nacional, [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
