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Portrait of a Lady
Oil on canvas. XVIII century
Flipart, Charles-Joseph
Portrait of a Lady
Oil on canvas. XVIII century
Flipart, Charles-Joseph

Gathering in a Garden
Oil on canvas. Mid-XVIIIcentury
Flipart, Charles-Joseph
Gathering in a Garden
Oil on canvas. Mid-XVIIIcentury
Flipart, Charles-Joseph

A group of youth play, accompanied by music in a garden setting. Two of them begin to dance, while others form small scenes of gallantry around them. This elegant courtly composition is completed by the images of the musicians. This work displays Rococo taste, showing the new French styles and customs practiced by the Spanish upper classes. The format of this work indicates that, originally, it pr

Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph
Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph

Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each king is flanked by his respective retinue. The Museo del Prado’s 1920 catalog attributed this painting to Amigoni (following the 1794 palace inventory) but it is actually a sketch for a painting by Fli

Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. 1778
Flipart, Charles-Joseph
Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. 1778
Flipart, Charles-Joseph

This “cartoon” or highly finished preparatory sketch was used as the basis for a tabletop inlaid with hardstones, which is part of a table in the Museum’s collection (O-477) that was originally in the Royal Palace in Madrid.

Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph
Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O0214). The motifs of paintings and books refer to the Liberal Arts, while the hurdy-gurdy is based on a model by Pierre Louvet.

Landscape with an Architectural View
Oil on canvas. Ca. 1786
Flipart, Charles-Joseph
Landscape with an Architectural View
Oil on canvas. Ca. 1786
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O215). It depicts a landscape with Roman ruins, the pyramid of Gaius Cestius and the tomb of Cecilia Metella. Flipart animates the scene with figures engaged in conversation, while various young people play skittles and others study a broken column.

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