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A satyr fills the wineglass of a fat, grotesque Silenus who smiles at another satyr seen from behind. This comic treatment of the classical myth derives from Ribera with whom Fracanzano worked from around 1630. Farina (2017) has related the figure of the satyr, who squeezes the grapes into the Silenus glass, with a drawing by the same author in a private New York collection.The canvas was in the c
This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fights, mock sea battles and so on. Following initial doubts, the Buen Retiro Palace was conceived as a place of leisure, where it would be possible to forget the worries associated with running the mona
