The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Gambara, has received support among specialists, though the purpose for which they were made remains uncertain. They are evidently alternatives for the same composition, perhaps intended for a large-sca
The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Gambara, has received support among specialists, though the purpose for which they were made remains uncertain. They are evidently alternatives for the same composition, perhaps intended for a large-sca