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This painting was one of four views of ancient Roman life commissioned around 1638 for the Buen Retiro Palace, Madrid. Two of the other works depict a Roman circus and a Roman gymnasium respectively, while the third, now lost, was recorded in 1701 as The baths of Diocletian with a fleet of galleys, which may be a misidentification of a view of a sea-battle stadium, or naumachia. The paintings are
This is one of four depictions of spectacles from ancient Rome that Domenico Gargiulo and Viviano Codazzi painted for the large History of Rome series at the Buen Retiro Palace. Of those four, in which Gargiulo painted the figures and Codazzi the architecture, two more have survived: Perspective of a Roman Amphitheater (P2632) and Perspective of a Gymnasium (P6210). The fourth, now lost, is listed
This is one of four depictions of spectacles from ancient Rome that Domenico Gargiulo and Viviano Codazzi painted for the large History of Rome series at the Buen Retiro Palace. Of those four, in which Gargiulo painted the figures and Codazzi the architecture, two more have survived: Perspective of a Roman Amphitheater (P2632) and Perspective of a Gymnasium (P6210). The fourth, now lost, is listed
This work and Constantine’s Triumphal Entry in Rome (P238) are among the earliest examples of the collaboration between Domenico Gargiulo (also known as Micco Spadaro) and Viviano Codazzi, in which the former painted the figures and the latter, the architectural backgrounds. These two paintings were part of a group that also included Lanfranco’s depiction of an emperor’s triumphal entry into Rome:
This work and Vespasian’s Triumphal Entry in Rome (P237) are among the earliest examples of the collaboration between Domenico Gargiulo (also known as Micco Spadaro) and Viviano Codazzi, in which the former painted the figures and the latter, the architectural backgrounds. These two paintings were part of a group that also included Lanfranco’s depiction of an emperor’s triumphal entry into Rome: T
