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Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio
Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio

The subject of the angelic consolation of Saint Francis became popular in the second half of the sixteenth century as a result of the Catholic Church´s renewed appreciation of his mystical experiences [+]

The Finding of Moses
Oil on canvas. 1633
Gentileschi, Orazio
The Finding of Moses
Oil on canvas. 1633
Gentileschi, Orazio

Painted in London when the artist was nearly seventy years old, Moses Rescued from the Nile is undoubtedly the finest work from Orazio Gentileschi’s final period. Exquisitely refined and subtle in its [+]

The Finding of Moses
Taille douce: etching and engraving on wove paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (The Original Work, According To Inscriptions, Attributed To Veronese, Paolo (Paolo Cagliari)); Martínez, Antonio; Calcografía Nacional; Gentileschi, Orazio
The Finding of Moses
Taille douce: etching and engraving on wove paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (The Original Work, According To Inscriptions, Attributed To Veronese, Paolo (Paolo Cagliari)); Martínez, Antonio; Calcografía Nacional; Gentileschi, Orazio

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Finding of Moses
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (The Original Work, According To Inscriptions, Attributed To Veronese, Paolo (Paolo Cagliari)); Gentileschi, Orazio; Martínez, Antonio; Calcografía Nacional
The Finding of Moses
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Henriquez, Benoît Louis -Engraver- (The Original Work, According To Inscriptions, Attributed To Veronese, Paolo (Paolo Cagliari)); Gentileschi, Orazio; Martínez, Antonio; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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