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The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut
Litografía de Paolo Guglielmi que reproduce el lienzo de Andrea del Sarto conservado en el Museo Nacional del Prado (P00338). Es la estampa LXIV encuadernada con un texto explicativo de José Musso y Valiente. Se incluía en el volumen II de la serie editada por el Real Establecimiento Litográfico, dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando
Es una litografía de Paolo Giuglielmi que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). La estampa iba con un cuadernillo, el LXV, con texto explicativo de José Musso y Valiente. Se incluía en el volumen II de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando VII, editada por el Real Establecimiento
Es una litografía de Paolo Giuglielmi (1804-1862) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXV acompañado de un texto explicativo de José Musso y Valiente. Iba encuadernada en el tomo II de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando VII, ed
Es una litografía de Paolo Giuglielmi (1802-1864) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXXIV acompañado de un texto explicativo de José Musso y Valiente. Iba encuadernada en el tomo II de la serie dirigida por José de Madrazo, "Colección litográfica de cuadros del rey de España el señor don Fernando VII"
