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Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz
Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz

The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and abroad, as illustrated by the fact that there were two in the inventory of Rubens´s property. There are sufficient grounds to interpret these compositions as moralising, religious or allegorical works.

Still Life with Beer-pitcher and Orange
Oil on panel. 1633
Heda, Willem Claesz (?)
Still Life with Beer-pitcher and Orange
Oil on panel. 1633
Heda, Willem Claesz (?)

As in the case of those two paintings (P02755 y P02756), Still Life with Beer-pitcher and Orange belongs to the typology defined by Vroom (1980) as monochrome banketje. Traditionally, this picture has been attributed to Willem Claesz. Heda. However, there are a number of stylistic aspects that distance it from the still lifes painted by this artist in the 1630s. Firstly, the monotone colouring bas

Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-de-Venise wineglass, in fashion at the time and likewise made in the Netherlands. Also featured is an exquisitely decorated silver goblet. Alongside them is a knife with a sheath and an open clock that

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