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Jiménez Aranda sets this scene of believers paying penance inside the well-known medieval basilica of Assisi, in Italy. Some of them carry large crosses and drag chains, while others pray at an [+]
Jiménez Aranda parece haber pintado del natural la escena que muestra en su tablita, en la que una modelo desnuda -físicamente muy próxima a la que debió posar también para su Esclava en venta (P6450) [+]
During his time in Paris, Jiménez Aranda regularly produced tableautins (small, precisely painted works on eighteenth-century themes). The detailed description of the figures here contrasts wit [+]
A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription (Rose, 18 years old, on sale for 800 coins) that offers her as merchandise at an Oriental mark [+]
Jiménez Aranda spent the 1880s in France where he encountered the naturalistic style of Jules Bastien-Lepage (1848-1884), and a subsequent period in Madrid where his work influenced Joaqu&iacut [+]
In 1901, Sorolla and Jiménez Aranda painted portraits of each other. They had known each other since the early 1890s, successively occupied the same study in Madrid, and it was the painter from [+]
An old tree trunk attracted Jiménez Aranda’s attention during his walks in the outskirts of Paris, and he devoted this painting from life to it, in which he represents in extraordinary detail its roug [+]
A view of Las Canteras Beach in Chipiona with the city’s bell tower in the background, the pebble beach in the foreground and figures walking by the ocean. This work belongs to a series that Jim&eacut [+]
