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Gladiators Fighting
Oil on canvas. XVII century
Lanfranco, Giovanni Di Stefano (Workshop Of)
Gladiators Fighting
Oil on canvas. XVII century
Lanfranco, Giovanni Di Stefano (Workshop Of)

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fights, mock sea battles and so on. Following initial doubts, the Buen Retiro Palace was conceived as a place of leisure, where it would be possible to forget the worries associated with running the mona

Roman Naumachia
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano
Roman Naumachia
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); Scene of Triumph (P2943); Funeral Rites for a Roman Emperor (P234); Gladiators at a Banquet (P3091) and Roman Naumachia- while the sixth, Triumph of a Roman Emperor with two Captive Kings, belongs to Patrimonio N

Sacrifice for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano
Sacrifice for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano

This painting belongs to the Neapolitan group of scenes of ancient Roman life that were ordered in the early to mid 1630s by the Viceroy of Naples, the Count of Monterrey, to decorate the Buen Retiro Palace on the outskirts of Madrid.The painting underscores Lanfranco’s extraordinary powers of inventiveness and productivity during a period in which he was otherwise thoroughly preoccupied with a su

Funeral Rites for a Roman Emperor
Oil on canvas. Ca. 1636
Lanfranco, Giovanni Di Stefano
Funeral Rites for a Roman Emperor
Oil on canvas. Ca. 1636
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); Scene of Triumph (P2943); Funeral Rites for a Roman Emperor; Gladiators at a Banquet (P3091) and Roman Naumachia (P235) -while the sixth, Triumph of a Roman Emperor with two Captive Kings, belongs to Patrimonio N

The Allocution of a Roman Emperor
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano
The Allocution of a Roman Emperor
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); The Allocution of a Roman Emperor; Funeral Rites for a Roman Emperor (P00234); Gladiators at a Banquet (P3091) and Roman Naumachia (P235) -while the sixth, Triumph of a Roman Emperor with two Captive Kings, belon

Gladiators at a Banquet
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano
Gladiators at a Banquet
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); The Allocution of a Roman Emperor, (P2943); Funeral Rites for a Roman Emperor (P234); Gladiators at a Banquet and Roman Naumachia (P235)- while the sixth, Triumph of a Roman Emperor with two Captive Kings, belong

Study for Saint John the Evangelist
Black chalk on dark yellow paper. 1640 - 1644
Lanfranco, Giovanni Di Stefano
Study for Saint John the Evangelist
Black chalk on dark yellow paper. 1640 - 1644
Lanfranco, Giovanni Di Stefano

This study is a preparatory work for one of Giovanni Lanfranco`s frescoes in the church of Santi Apostoli, Naples, as first suggested by Alfonso E. Pérez Sánchez. Lanfranco, who was originally from Parma, began his apprenticeship with Agostino Carracci and continued it with his brother Annibale. Following a period in Rome, Lanfranco later worked for ten years in Naples, where he was

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