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The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on white paper. XVII century
Lefevre, Valentin
The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on white paper. XVII century
Lefevre, Valentin

El diseño interpreta una pintura del taller de Veronés, antes en el techo del refectorio del convento de San Giacomo alla Giudecca, hoy en la Gallerie dell´Accademia di Venezia. [+]

Saint Roch Curing the Animals
Pencil, Pencil ground, Grey-brown ink on paper. Second half of the XVII century
Lefevre, Valentin
Saint Roch Curing the Animals
Pencil, Pencil ground, Grey-brown ink on paper. Second half of the XVII century
Lefevre, Valentin

The composition is taken from Tintoretto´s painting of the subject in the church of S. Rocco, Venice. The copyist is uniquestionably Valentin Lefèvre, a Flemish painter and draftsman who worked [+]

The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin
The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin

Although no precisely corresponding composition by Titian appears to exist, many of the elements of the design may be found in his early painting of the Madonna and Child with St. John the Baptist and [+]

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