The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

RDF
Refine results
7 results
The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1637
Leonardo, Jusepe
The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1637
Leonardo, Jusepe

En un lienzo de formato cuadrado el artista ha representado el momento en que el verdugo, por orden de Herodes, quien satisface el deseo de Salomé y la venganza de Herodías, su madre (Marcos, 6 14-29), se dispone a descargar la espada sobre el cuello del Bautista, que, de rodillas y rezando, espera el momento de la ejecución. La composición, no exenta de teatralidad, está formada por tres grupos i

The Martyrdom of Saint Sebastian
Oil on canvas. Ca. 1637
Leonardo, Jusepe
The Martyrdom of Saint Sebastian
Oil on canvas. Ca. 1637
Leonardo, Jusepe

In contrast to most depictions of this episode, here Saint Sebastian has not yet been tied to the tree. Two executioners prepare his martyrdom. The divine light falling on him allows the artist to focus on the expression of the saint’s face and the modelling of his body.

The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 1610, Jülich surrendered to an army led by the Marquis of Los Balbases, General Ambrosio de Spínola, who would later triumph at Breda. This event took place after the truce established in 160

The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

This canvas depicts the liberation of the city of Brisach on October 16, 1633, following its besiegement by the Protestant Count of the Rheingau, Otto Ludwig von Salms. Its liberation marked the culmination of the Duke of Feria’s 1633 campaign to maintain free communication between the Milanesado, Germany and the Netherlands. The city of Brisach played a strategic role in this line of communicatio

The Birth of the Virgin
Oil on canvas. Ca. 1642
Leonardo, Jusepe
The Birth of the Virgin
Oil on canvas. Ca. 1642
Leonardo, Jusepe

Jusepe Leonardo was born in Calatayud in 1601. He soon moved to Madrid, became a pupil of Pedro de las Cuevas and lived in his house between 1616 and 1621. While collaborating on the decoration of the Buen Retiro Palace in 1635, he was in constant contact with the court’s painters and collections, which informed him of the influence of Velázquez. His refined sensibility to colour makes him

Saint Isidore the Labourer
Pencil ground, Grey-brown wash on yellow laid paper. First half of the XVII century
Leonardo, Jusepe
Saint Isidore the Labourer
Pencil ground, Grey-brown wash on yellow laid paper. First half of the XVII century
Leonardo, Jusepe

In the foreground of the drawing, the Saint is depicted ploughing with a pair of oxen. In the background, the angels drive the yoke. Sánchez Cantón documented it as anonymous and having been produced around 1660–70. Nevertheless, its association with the personal style of Cajés, Leonardo’s master, is clear. The cut-off inscription undoubtedly refers to Leonardo.

The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe
The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe

Preparatorio para el grupo principal del lienzo pintado en 1634 para el Salón de Reinos del Buen Retiro, hoy en el Museo del Prado (P00858). Los dos generales a caballo son Ambrosio Spínola y Felipe Messia de Guzmán, marqués de Leganés. La presencia del primero ha hecho que en alguna ocasión se interpretase lienzo y dibujo como representación de la Rendición de Breda, por aquel general. (Texto ext

Up