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Salome receiving the Baptist's head
Oil on panel. Early XVI century
Luini, Bernardino (Bernardino Scapi)
Salome receiving the Baptist's head
Oil on panel. Early XVI century
Luini, Bernardino (Bernardino Scapi)

Bernardino Luini depicted this passage from the New Testament (Mark 6:27–28) several times. The version in the Galleria degli Uffizi in Florence is the closest to the one in the Museo del Prado. They differ solely in the fact that the Uffizi version includes a female servant alongside Salome. Although the Bible states that the Baptist’s head was shown to Salome on a dish or tray, 15th-century Flem

The Holy Family
Oil on panel. First third of the XVI century
Luini, Bernardino (Bernardino Scapi)
The Holy Family
Oil on panel. First third of the XVI century
Luini, Bernardino (Bernardino Scapi)

Luini personifies the reception of Leonardo in Lombardy through the reuse of his formal inventions, often combining figures from several of Da Vinci’s prototypes as though putting together pieces in a jigsaw. While the gesture of the Virgin in this Holy Family is inspired by the Virgin of the Rocks at the Musée du Louvre, the postures of the children, a motif never represented by the master

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