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The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de
Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de

This religious scene with its life-size figures, is treated in the sober manner usually applied to scenes from Roman history. It was the first major painting produced by Madrazo whilst training in Par [+]

The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de

This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]

The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]

Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

This is a modellino for the canvas commissioned by Charles IV during his exile in Rome for the ceiling of a room in the Palazzo di Spagna. The artist and his royal client’s tastes are revealed in the [+]

Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de
Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de

A young male spirit symbolizing Virtue sits at the foot of an oak tree wearing a laurel crown. He looks to the heavens offering the crown he obtained after his victory over Earthly Love. Conquered and [+]

Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de
The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de

[+]

Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de
Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de

[+]

Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el óleo de Gaspard Dughet conservado en el Museo Nacional del Prado (P02307), el lienzo en su momento se creía de Poussin como se indica en la letra de [+]

Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el óleo de Gaspard Dughet conservado en el Museo Nacional del Prado (P02307), el lienzo en su momento se creía de Poussin como se indica en la letra de [+]

Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The Holy Family
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Simone Cantarini (P00063), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplares. Salió al me [+]

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