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The two Marys worshipping the Holy Veil, with the Imprint of Christ´s Body
Pencil, Pencil, Grey-brown ink on paper. XVI century
Maganza, Alessandro (Attributed To)
The two Marys worshipping the Holy Veil, with the Imprint of Christ´s Body
Pencil, Pencil, Grey-brown ink on paper. XVI century
Maganza, Alessandro (Attributed To)

Inscribed in brown ink in the lower left corner, in an old hand: Titiano. The drawing was indeed placed as Titian (c. 1485-1576) in both Brun´s and Fernández Durán collection, since the front of his mount was captioned: TIZIANO VECELLI. In a pencil note on the modern museum mount, P. Pouncey wrote: Sacro Sindone di Torino / perhaps by Alessandro Maganza. The handling seems typical of

The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the influence of both Antonio Zelotti (1526-1578) and, more importantly, Hans Rottenhammer (1564/65-1625), the German-born painter who established a studio in Venice shortly before 1600, where he resided f

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