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The Virgin and Child with Hernán Gómez Dávila y San Francisco
Oil on panel. XVI century
Orley, Bernard Van
The Virgin and Child with Hernán Gómez Dávila y San Francisco
Oil on panel. XVI century
Orley, Bernard Van

Cruzada Villaamil (1865) no registró la procedencia de esta obra. Pedro de Madrazo señaló en el catálogo del Museo del Prado de 1873 que procedía de la capilla ochavada del convento de San Francisco de Ávila, donde estuvo sepultado Gómez Dávila, y esa noticia ha sido recogida en todos los catálogos posteriores. La descripción y las medidas del cuadro de Monasterio de Santa María la Real de Valdeig

The Virgin and Child with the Infant Saint John
Oil on panel. 1515 - 1520
Orley, Bernard Van
The Virgin and Child with the Infant Saint John
Oil on panel. 1515 - 1520
Orley, Bernard Van

In her hand, Mary holds a pear, one of the fruits of Paradise, which presents her as the new Eve. The Christ Child sits on her knees and plays with its opposite, a rosary that alludes to the Passion. Saint John, as a boy, stands behind a column, pointing to the Sacred Scriptures that announce Christ´s mission as savior, which is the message that underlies this devout representation of the Virgin a

The Virgin of Louvain
Oil on panel. Ca. 1520
Orley, Bernard Van
The Virgin of Louvain
Oil on panel. Ca. 1520
Orley, Bernard Van

According to the Latin inscription on the back of this panel, which attributes it to Jan Gossaert, it was acquired by the magistrate of Louvain in 1588 from that city’s Augustinian monks. It was intended as a gift of thanks to Philip II for having waived the taxes and tariffs owed by the inhabitants of Louvain for twelve years after that city was decimated by the plague in 1578. Seeking to give th

The Virgin nursing the Child
Oil on panel. Ca. 1520
Orley, Bernard Van
The Virgin nursing the Child
Oil on panel. Ca. 1520
Orley, Bernard Van

The Virgin, with an idealized face, stands under a semi-circular arch, holding her Child in her arms. In the background are five angels: a harpist and a singer on the left, and on the right, three more, reading a large music book. The painter from Brussels modeled this work after the so-called Madonna of the Apse by Robert Campin. The scene is framed by renaissance architecture that reveals van Or

The Holy Family
Oil on panel. 1522
Orley, Bernard Van
The Holy Family
Oil on panel. 1522
Orley, Bernard Van

The Holy Family is shown indoors, in front of a window thought which a costal landscape is visible. The Christ Child stands on a sumptuous carpet and plays with his mother. Saint Joseph holds an apple —an allusion to the Garden of Eden-that symbolizes Mary´s condition as the new Eve. An Angel crowns the Virgin as Queen of Heaven while another offers her a basket of flowers like those resting on th

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la estampa. El título que aparece en la estampa es La Virgen con el niño Dios y Sn. Juan. Esta estampa se entregaba con el cuadernillo CXXXVIII acompañado de un texto explicativo de José Musso y Valiente.

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la estampa. Esta estampa se entregaba con el cuadernillo CXXXVIII acompañado de un texto explicativo de José Musso y Valiente. Está encuadernada en el tomo III de la serie dirigida por José de Madrazo, Co

Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Orley, Bernard Van (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la estampa. Esta estampa se entregaba con el cuadernillo CXXXVIII acompañado de un texto explicativo de José Musso y Valiente. Iba encuadernada en el tomo III de la serie dirigida por José de Madrazo, Col

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