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Esta escena bíblica, perteneciente al Nuevo Testamento, refleja una anécdota de la juventud de Cristo, cuando estuvo disputando por cuestiones religiosas con los doctores judíos de la ley Mosaica, en el interior del Templo de Jerusalén. Forma pareja con Jesús arroja a los mercaderes del Templo (P00278), y ambos fueron comprados por Carlos IV. Destacan los grandiosos ámbitos arquitectónicos, así co
Panini depicts the New Testament episode of Christ expelling the traders and money-changers from the Temple. The canvas may be a preliminary sketch for a larger composition. It was acquired by Charles IV, together with Panini’s Christ among the Doctors (P277).
This “architectural capriccio”, a popular genre in the eighteenth century due to its evocative combination of reality and fantasy, depicts an imaginary landscape with the Pyramid of Gaius Cestius in Rome (12BC) surrounded by classical elements and enlivened by figures in Roman dress. The canvas was acquired by Charles IV together with Ruins with Saint Paul preaching (P275) and A Sybil preaching (P
This canvas forms a pair with that of Ruins with a Woman preaching. It depicts the Apostle Paul preaching, standing between the portico of a ruined temple and the temple of Vesta with the pyramid of Gaius Cestius visible in the background.
The principal focus of this canvas and its pair, Ruins with Saint Paul preaching, is the splendour of Roman ruins and the evocation of the classical tradition. Within a setting of archaeological remains, a woman who is possibly a Sibyl or prophetess addresses a varied group of figures.
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